The Star Malaysia

A case for good cafes

Being a genius may not be about what or who you are, but where.

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WHEN we look at someone like Mozart who showed his unusual gift at an early age, we think that it must be genetic. But studies show that genetics are a relatively small piece of the genius puzzle.

Geniuses are neither born nor made. They are grown, according to Eric Weiner, author of the bestsellin­g book The Geography of Genius.

Hard work matters. But does it explain why we see genius clusters in some places throughout history? Why would we see places like Vienna in 1900, Florence in 1500, or Silicon Valley today having such a high density of talent? Do they work harder than others? Is there something in the water? If yes, can we bottle it?

We often ask, “What is genius? Who is a genius?” We don't often ask, “Where is genius?”

Weiner thinks it’s in the coffeeshop, which played a key role in the Vienna of 1900. Freud, the seer of the psyche, had his favourite coffeeshop. So did Gustav Klimt, the symbolist painter. If you walked into a coffeeshop in 1903 Vienna, you might find them sitting in a corner engaged in a conversati­on with friends and peers.

Rent was high and housing difficult to come by. Even if you had a place, it probably did not have heating. So, you went to the coffeeshop. It was warm, it offered great Viennese coffee and you went for the conversati­on and the company. You also went for the news of the day.

The coffeeshop was the Internet of its day. It had, and it still does have, newspapers on display for you to read. That’s where people found out what was going on around the world and where they exchanged ideas.

You broadened your horizon. There was no limit to what you could discuss. You let your mind float and drift a bit. The world collided in these coffee houses.

It was where people went to discuss things they could not discuss at work or even at home. Weiner suggests that we should have more coffee houses, more cafes, more third places, more places where we can interact with others.

Coffee houses also offer an ecology of creativity because every creative act needs a stepping back. The “Eureka!” moment often arrives when you are not consciousl­y thinking of a problem, when you are taking a walk or sitting in a coffeeshop.

There is science behind it too. Studies show that the ideal audio atmosphere for creativity is not complete silence or loud noise. It’s something around 70 decibels – the sort of sound level we find in a coffeeshop.

The Geography of Genius sheds light on an even earlier Vienna – the Vienna of Mozart and Beethoven, the Vienna of 1780. Music was literally in the air. From the aristocrat to the average man, everybody was a musician who played the violin or the piano and went to concerts. People were not

passive receivers, they were demanding of their composers. It’s almost like the city of Vienna was a cogenius that worked alongside Mozart and Beethoven and the rest to complement their creativity.

Why are there no composers like Beethoven or Mozart today? Has the talent pool dried up? Weiner’s theory is that if you are young and ambitious today, you are more likely to end up in Silicon Valley than in Vienna. We get the geniuses we want. We now care more about technology than music or art.

Viennese coffeeshop­s are not

the only seats of high culture. Historians say that English and Parisian coffee houses of the 17th and 18th centuries advanced ideas such as liberty, tolerance, constituti­onal government and separation of church and state.

The coffeeshop­s offered an alternate platform, supplement­ary to the universiti­es. Political activists who challenged the establishm­ent were denizens of these coffee houses.

We don’t have to go that far. The famed coffee house of Kolkata had been for a long time a regular hangout of intellectu­als and students before losing its lustre. And in Dhaka, the Modhur Canteen used to be synonymous with political movements.

Weiner’s observatio­ns have a universali­ty that make them irresistib­le. What is the state of coffee shops/tea houses in our city?

How many places does the city offer where people can ask questions, argue and debate? Let’s rephrase the question – how many coffeeshop­s in the city have rooms for people to sit and relax? How many universiti­es house properly maintained cafes where a student can have tea presented in a clean cup? We deserve better.

In Dhaka, the shoddily constructe­d roadside tea stalls need creative destructio­n – a term used by Joseph Schumpeter, the political economist, to mean the process of industrial mutation that incessantl­y revolution­ises the economic structure from within, incessantl­y destroying the old one, incessantl­y creating a new one. Creative destructio­n is taking place everywhere whether you like it or not.

The Americans did it with the coffee house, which was invented almost five centuries ago not in Vienna or Venice, but in Istanbul. While Turkish coffeeshop­s kept on serving the traditiona­l coffee and hookah to their clientele, Americans designed menus full of delicacies, furnished their coffeeshop­s with large, comfortabl­e chairs and sofas, and offered free Internet.

Today, people go to Starbucks for reasons other than coffee alone. They go for the WiFi, they go for the atmosphere. It is possible to develop a successful business model in this city based on this concept. The demand is there.

At a time when space for dissent seems to be diminishin­g at a speed faster than light, cities could use a few tea and coffeeshop­s where evenings swell with human outcry, people getting to know each other, exchanging ideas, debating, just being.

As English dramatist Arthur Pinero said, “Where there is tea (or coffee), there is hope.” — The Daily Star/Asia News Network

 ?? AP ?? Creative space: We need more coffeeshop­s and tea houses like Les Deux Magots in Paris, where celebrated artists and intellectu­als such as Jean-Paul Sartre, Albert Camus, Ernest Hemingway and Pablo Picasso once met to chew over issues of the day. —
AP Creative space: We need more coffeeshop­s and tea houses like Les Deux Magots in Paris, where celebrated artists and intellectu­als such as Jean-Paul Sartre, Albert Camus, Ernest Hemingway and Pablo Picasso once met to chew over issues of the day. —

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