The Star Malaysia

Louboutin takes Pakistan chappal global

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PESHAWAR: Famed for luxury red-soled stilettos, French shoe designer Christian Louboutin has taken inspiratio­n for a new sandal from Pakistan’s tribal frontier, sparking claims of cultural appropriat­ion along with grins from grizzled Pakistani cobblers.

A post on Louboutin’s Instagram last month announcing the release of the shoe sparked a social media frenzy in Pakistan, with fans praising the latest homage to the country’s rich artisan traditions – and critics rolling their eyes.

The “Imran” – a flamboyant sandal complete with metal studs along with splashes of orange and silver – is inspired by the country’s traditiona­l Peshawari chappal, according to the fashion house.

The chappal has long been a staple for ethnic Pashtuns – from ordinary labourers to the country’s political elite – in Pakistan’s northwest.

The sandal is distinguis­hed by its overlappin­g leather strips that cover the foot and has a small heel with a hardy rubber sole.

Louboutin’s version was named after famed Pakistani contempora­ry artist and friend of the designer, Imran Qureshi.

While most celebrated the shoe’s debut, others jeered at the thought of paying designer prices – Louboutins often retail for upwards of US$500 (RM2,065) – for the ubiquitous sandals, which can cost as little as US$5.50 (RM23) in Pakistan.

Some social media users also suggested that the European brand was the latest perpetrato­r of cultural appropriat­ion.

“Highly recommend asking your friend to rename it though, so that it doesn’t become another culturally appropriat­ed thing,” wrote Instagram user Mehreenfkh­an under a post by Qureshi about the shoe.

 ??  ?? Made for walking: Chacha Noor Din, the owner of a string of Peshawar shoe stores, making a pair of sandals that have inspired the likes of Loubotin and sparking claims of cultural appropriat­ion.
Made for walking: Chacha Noor Din, the owner of a string of Peshawar shoe stores, making a pair of sandals that have inspired the likes of Loubotin and sparking claims of cultural appropriat­ion.

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