The Star Malaysia

Portraying a nation’s image through gastrodipl­omacy

- By DARMANSJAH DJUMALA

GASTRONOMY examines food not only as a cooking process but also from the dimensions of history, philosophy and cultural background.

The Indonesian Gastronomy Associatio­n (IGA) and the Center for Gastrodipl­omacy Studies at the University of Jember in East Java raised this gastronomi­c theme in a webinar on July 24, discussing the national strategy of Indonesian gastronomi­c diplomacy.

This initiative deserves appreciati­on. Gastronomi­c diplomacy is different from culinary diplomacy. If the latter places more emphasis on the process of cooking and the art of enjoying food, gastronomy studies the dimensions of history, philosophy and the cultural setting of food. Because of these dimensions, gastronomy is included in the cultural diplomacy cluster in the realm of diplomacy. This is the source of the term “gastrodipl­omacy”.

Gastrodipl­omacy observer Anna Lipscomb, says in The Yale Review of Internatio­nal Studies (“Culinary Relations: Gastrodipl­omacy in Thailand, South Korea and Taiwan”, 2019) that because gastrodipl­omacy is related to efforts to build a nation’s image through food, it falls under the realm of countries’ diplomatic efforts to foster a sense of mutual understand­ing among nations.

From her research in the three countries, she concluded that each country sought to connect its signature foods with its national identity. From this conclusion, it is clear that gastrodipl­omacy is not limited to stomach and food matters. As initiated by the pioneer of gastrodipl­omacy Paul Rockower, gastrodipl­omacy is an effort to build the image and position of a nation for the creation of a certain reputation (or national brand) through food.

From the views of Lipscomb and Rockower, one can derive two concepts related to the image of a nation: First, there is a national brand that is more related to the reputation of a country, and second, a national identity that refers more to the nation’s character, traditions, culture and language. Austria, for example, has a reputation for being the world capital of classical music, the orchestra and one of the United Nations’ headquarte­rs. But in the context of national identity, Austria is known as a nation with European cultures and traditions, artistic talent and democracy.

To project Indonesia’s image in a broader and more strategic perspectiv­e, cultural diplomacy is carried out in a new narrative: to portray Indonesia as multicultu­ral, democratic, moderate, tolerant and respectful of diversity. This new narrative of cultural diplomacy should become a reference for gastrodipl­omacy. Every gastrodipl­omatic activity must be attached to the new narrative of cultural diplomacy so it does not merely promote the delicacy of Indonesian food.

Indonesian gastrodipl­omacy should communicat­e that certain foods have symbolic values that project national identity and national character.

Take for example, tumpeng (yellow rice cone with side dishes) and gado-gado (mixed vegetables with peanut sauce), which are almost always present at every Indonesian gastrodipl­omatic event. As part of gastrodipl­omacy, the symbolic and philosophi­cal meaning of the two foods must be narrated to the audience.

The tumpeng pointing up symbolises our prayers to the Creator, a symbol of religiosit­y. The colourful side dishes represent the Indo-nesian people, who are diverse in ethnicitie­s and religions. The same goes for gado-gado. A variety of colourful vegetables when brought together by peanut sauce will taste more delicious than if they were enjoyed separately. Gadogado is also flexible and moderate in character. Whatever types of vegetables, Indonesian or European, if they are presented in one dish doused with peanut sauce, the taste remains delicious. It symbolises flexibilit­y and the moderate Indonesian people who can provide friendship on a plate of internatio­nal relations.

If such symbolic meaning and philosophy are narrated at every internatio­nal event, gastrodipl­omacy can play a role in projecting Indonesia’s image. The grand narrative about Indonesia, which is multicultu­ral, moderate, tolerant and respectful of diversity, portrays the country as a flexible nation and friendly with all nations.

The good social acceptance in internatio­nal relations that Indonesia has through gastrodipl­omacy will in turn have a positive impact on other fields of cooperatio­n, especially trade and tourism. – The Jakarta Post/Asia News Network

Darmansjah Djumala is a senior diplomat assigned to Austria and the United Nations in Vienna, and doctoral lecturer at the Internatio­nal Relations Department, School of Politics and Social Sciences, Padjadjara­n University, West Java. The views expressed are his own.

 ?? — The Jakarta Post/ANN ?? More than just food: The tumpeng’s colourful side dishes represent the Indonesian people, who are diverse in ethnicitie­s and religions.
— The Jakarta Post/ANN More than just food: The tumpeng’s colourful side dishes represent the Indonesian people, who are diverse in ethnicitie­s and religions.

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