The Sun (Malaysia)

Hong Kong’s fire dragon comes alive

-

THOUSANDS of festival-goers packed a historic neighbourh­ood of Hong Kong recently to watch a ‘fire dragon’ lit with incense sticks dance through the streets in a century-old ritual.

The 67-metre-long dragon snakes around the network of narrow paths in the village of Tai Hang each year to the sound of roaring drums, and is one of the highlights of the celebratio­ns for the yearly MidAutumn Festival.

Around 300 performers carry the dragon through the neighbourh­ood for three consecutiv­e evenings as it billows smoke, shaking and dipping its head and tail to the beat of the drums.

Only men – former and current Tai Hang residents of all ages – can be part of the dragon’s body, but in recent years, women have cracked through the all-male spectacle to become lead drummers.

The tradition is said to have started around 1880, after the once sleepy coastal village was hit by a typhoon, followed by a plague.

Desperate to change its fortunes, villagers created a ‘fire dragon’ and paraded it for three days and three nights, chasing away the plague, according to local lore.

After years of land reclamatio­n and gentrifica­tion, Tai Hang now lies inland from Hong Kong’s Victoria Harbour and is home to upmarket restaurant­s and luxury condominiu­ms, though a flavour of the old days remains.

Tai Hang native Cheung Kwok-ho said: “The community now is very different. Many old residents have left the neighbourh­ood. The MidAutumn Festival every year is a good opportunit­y for all of us old residents to have a gathering.”

Cheung is a maker of the dragon, planted with tens of thousands of burning incense sticks during the festival – now on China’s list of intangible cultural heritage.

Work to assemble the dragon starts weeks in advance, its body consisting of a hemp rope ‘spine’ wrapped with heaps of straws which are then tightly secured by metal wires.

Its makers say the humble but resilient materials for the dragon can, with expertise, be sculpted into a mighty creature.

“It requires skills to bend the rattan and create its shape before you strap on the straws, which are very thin,” said Chan Tak-fai, the dance’s chief commander.

“It’s important to show its vigour,” Chan said as he pointed to the dragon head’s skeletal features, which would be guided during the dance by two swivelling ‘pearls’ – Chinese grapefruit­s also studded with glowing incense sticks.

Chan, 71, inherited the trade from the elders after he began observing the dragon’s making in the streets of Tai Hang when he was five. He joined the team in the 1970s when he was in his 20s.

The materials for the dragon are increasing­ly hard to source, Chan said, with the bulk of it now imported from mainland China.

But the methods for creating it remains the same as the fire dragon parade enters its 138th year. – AFP

 ??  ??

Newspapers in English

Newspapers from Malaysia