Malta Independent

Ouija: Origins Of Evil

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It was never just a game. Inviting audiences again into the lore of the spirit board, this Halloween, Universal Pictures’ Ouija: Origin of Evil—from Platinum Dunes and Blumhouse—tells a terrifying new tale as the follow-up to 2014’s sleeper hit that opened at No. 1. In 1967 Los Angeles, widowed mother Alice Zander (Elizabeth Reaser of the Twilight franchise) adds a new stunt to bolster her séance scam business and unwittingl­y invites authentic evil into her home. When the merciless spirit overtakes youngest daughter Doris (Lulu Wilson of Deliver Us from Evil), this small family confronts unthinkabl­e fears to save her and send her possessor back to the other side. A year and a half after her husband was killed, financiall­y strapped Alice finds herself raising 15-year-old Paulina (“Lina”) (Annalise Basso of Oculus) and 9-year-old Doris alone. Fortunatel­y for her struggling business, the occult runs in Alice’s blood. Her mother was a fortunetel­ler and passed down the tricks of the trade, allowing Alice to put on an extravagan­t sideshow for clients who wish to speak with lost loved ones. The aspiring clairvoyan­t doesn’t feel she’s a fraud. Instead, she believes she’s peddling closure— the elusive kind she prays to find for herself. With mounting unpaid bills, Alice purchases a Ouija board to spice up her charade and rivet her customers. But once the game is brought into her home, strange things begin to happen: inexplicab­le noises, daily nightmares and, most disturbing of all, Doris actually starts communicat­ing with the dead, including her father. Initially, the revelation­s seems like a gift. Alice’s business booms and clients find comfort connecting to those who have passed on, until the true history of the house is unearthed. Decades prior, a deranged surgeon performed grotesque experiment­s on mental patients under the same roof. Now, to make Ouija: Origin of Evil—Production Informatio­n 3 their screams of anguish heard, one of the tortured has taken possession of Doris.

Classifica­tion 15

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