Malta Independent

Laceable buildings rnacular

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occupier, and the fruit of triedand-tested formulas which were passed on from generation to generation.

No architect could possibly design such buildings, as their beauty lies in the informal arrangemen­t of the various volumes forming each part. In the Mellieħa façades, they are two of the plainest possible, and remind one that our vernacular architectu­re had no scope for visual niceties; in a way, a precursor of the “Form Follows Function” maxim coined by the Modernist Movement in the twentieth century. How can one say that such buildings have no architectu­ral merit? Or that they are not worthy of preservati­on? Moreover, these buildings are particular to Malta, and are an important part of our architectu­ral history. You cannot find them anywhere else, and we should be proud of them.

It is true that it is foreigners who are always more appreciati­ve of a culture than the locals. This phenomenon applies also to our vernacular buildings. It was British expats who retired on Malta and began restoring our farmhouses and village houses which no-one gave any considerat­ion to, which started the ‘house of character’ trend. They saw the value and charm of our traditiona­l buildings and thanks to them many were saved. Since then, Malta has evolved as a nation, and 53 years on, with a reputable Faculty of the Built Environmen­t at the University of Malta, a Structure Plan and a Cultural Heritage Act, we do look at things differentl­y and appreciate the finer nuances of cultural heritage.

Modern flats and garages may also be considered as cultural heritage if they are of exceptiona­l design and quality. However, the demolition of historical buildings to be replaced by mediocre developmen­ts is unpardonab­le.

The Strategic Plan for the Environmen­t and Developmen­t (SPED) is also disregarde­d by ignoring the two urban objectives: “To improve the townscape and environmen­t in historic cores and their setting with a presumptio­n against demolition of property worthy of conservati­on” and “To identify, protect and enhance the character and amenity of distinct urban areas.”

What we are losing in allowing the demolition of these buildings is the very soul and character of Malta. We are also missing an opportunit­y to use this heritage to our advantage. Some clever examples of good conservati­on of vernacular buildings have yielded dividends in attracting the sort of tourists who take pleasure in discoverin­g unique places to stay, rather than in cutand-paste mass-tourism hotels.

A restaurant in a building of character has half its success secured because of the atmosphere created, which can never be replicated. True regenerati­on will go a long way towards enhancing our built environmen­t, but this does not mean destroying our simple architectu­re and rebuilding it according to one’s fancy. It has been handed down to us and we have the moral duty to ensure it will live on to enrich future generation­s.

 ??  ?? There is an applicatio­n for the demolition of this farmhouse in Mġarr, which has been labelled as ‘dilapidate­d’
There is an applicatio­n for the demolition of this farmhouse in Mġarr, which has been labelled as ‘dilapidate­d’
 ??  ?? The two houses in Żebbuġ Square, Gozo – Their demolition has been approved by the PA – Photo: Daniel Cila
The two houses in Żebbuġ Square, Gozo – Their demolition has been approved by the PA – Photo: Daniel Cila
 ??  ?? This house has a pending applicatio­n to approve its demolition – Għasri, Gozo
This house has a pending applicatio­n to approve its demolition – Għasri, Gozo
 ??  ?? House in Marsascala that has been given the green light for demolition by the PA
House in Marsascala that has been given the green light for demolition by the PA

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