Central Leader

DAILY GRIND

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Harry Huavi thought he was going to be a rapper when he grew up.

As it turned out, Mr Huavi, aka ‘‘ Haz Beats’’, is the man responsibl­e for the jazzinflue­nced production of New Zealand hip-hop phenomenon Home Brew.

‘‘I always wanted to be a rapper but then making my own music led me to being a producer. I had no time to rap any more. I was just making beats.’’

Mr Huavi started making music as a teenager living in South Auckland.

It wasn’t long before he hooked up with Home Brew’s frontman Tom Scott over the internet and the pair begun collaborat­ing.

‘‘He lived in this place in Sandringha­m that had a little shack outside. I used to come over with my laptop and just bang out beats and he would just be writing, writing, writing.’’

He says they started getting serious about music late in 2006. Since then the Home Brew trio have accomplish­ed a steady takeover of Aotearoa’s rap scene – this year they achieved a number one album with their self-titled debut LP and won the award for best hip-hop group at the New Zealand Music Awards.

Mr Huavi says the group’s mounting success is a surprise, but it hasn’t fazed him.

‘‘When people say, ‘man you’ve got a No 1 album’, I think that number doesn’t pay for my rent and it doesn’t make me more creative. I’m still struggling to do the things I want.’’

Although cash from the music industry ebbs and flows the 30-year-old says the struggle helps him stay real.

‘‘It keeps us humble and keeps us doing what we actually want to do without big money getting involved.’’

To make ends meet he holds down a regular DJing spot at a local nightclub and plays support at internatio­nal gigs.

During the day he composes using his laptop and a programme called Fruity Loops in combinatio­n with a Maschine midi-controller. He makes beats using a ‘‘sampling’’ technique – borrowing snippets of sounds from a variety of recordings and reassembli­ng them into a new compositio­n.

Old school tradition would see a beat-producer rifling through crates of dusty vinyl to find rare recording to samples but technology has opened up a world of sound.

‘‘I haven’t dug crates in many moons,’’ he says.

‘‘It’s dirty work going into the crates.

‘‘Sometimes you find the gems but nowadays I’m a bit broke and the internet has given us so much for free.’’

Moving forward, Mr Huavi and his crew are working hard on Young, Gifted and Broke, a collective of visual and musical artists.

It also doubles as a record label for Home Brew and friends.

‘‘We are still trying to figure out the ropes of running a business, so it’s working and experiment­ing at the same time,’’ Mr Huavi says. ‘‘ We just want to keep releasing music and being creative.’’

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