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- Q&A with Nat Cheshire and Ian Scott of Cheshire Architects

Why was it important to you to take on this project?

NAT CHESHIRE Jeremy and Cameron’s apartment is the latest in a string of very small projects we’ve built in the last few years, clients who have all been so brave and are very precious to us. We’re as proud of a strange and beautiful washroom as we are a thriving city block. The tiny scale of this work affords us an opportunit­y to atmospheri­cally tune space to very fine increments. In little rooms like these, clarity and subtlety of compositio­n, material and detail become enormously powerful tools. They also create a discipline in our practice that echoes into our larger work. It’s a vital part of who we are, and who we want to be: the designers of whole cities... from city blocks to door handles.

What were the particular opportunit­ies this presented to you as designers?

NC The great opportunit­ies were human: to become a very intimate part of the lives of two brilliant people, and to work in great detail with craftspeop­le such as the cabinetmak­er Cliff Armstrong and his team at Essex Cabinetmak­ers, and Tim England and Scott Blakelock at Early Bird Constructi­on, our building contractor­s on this job. They did a very careful job and managed a few curveballs from the existing building. Because there were few things to discuss – whether it be the rituals of one’s domestic life or the difference between two types of hinge – one is afforded the opportunit­y to dig very deep into those relationsh­ips.

Was there was any aspect of this project that was the hardest to sell to the clients, and if so, what?

IAN SCOTT The bathroom was challengin­g but Jeremy and Cameron were both eager to entertain ideas and were receptive of the direction we sought. Nat had designed a similar room in his own home and being able to take them there helped. We think they understood that there is too often a level of experienti­al waste in the way we make bathrooms – the sterile nature, chrome fittings, and artificial linings. In this contained, interior space, we took a little liberty to break from the modernist palette of the building and create this contrastin­gly atmospheri­c sanctuary with small pools of soft light illuminati­ng warm, natural materials – like a kind of spa, a spatial and psychologi­cal retreat.

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