Homestyle New Zealand

100 issues!

For our 100th issue, we asked some pals of homestyle whose work we’ve featured over the years 10 questions on subjects close to our heart, then turned the spotlight on the top 10 answers.

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To mark our major milestone, we asked homestyle contributo­rs 10 personal questions.

1. Homestyle’s all about elevating the everyday — what functional object do you appreciate most in your home?

Erena Te Paa, stylist The humble stool. I use them so often, as much for side tables as for sitting on, climbing on and storing things in.

Annique Hessen, Gezellig Interiors

My Pallarès bread knife. If you don’t have one, I highly recommend you treat yourself.

Evie Kemp, stylist & maker My Samsung Frame TV. I love a good Netflix binge and also appreciate being able to make the television part of my décor — unlike at my first homestyle shoot many years ago, when we hid the TV out on the deck while we shot our photos!

Alana Broadhead, curator & designer

I’ve been road-testing a Fog Linen towel and I’m converted. The linen takes a few washes to break in, but once that’s done, it’ll spoil you for any other fabric.

Imogen Tunnicliff­e, designer at Città

My secateurs by ARS. They fit perfectly in my hand, never seem to blunt and satisfying­ly snip delicate stems and tough branches with equal ease.

Gem Adams, Blackbird Goods

My cane laundry basket. Whether it’s holding washing to be done, go out, come in or be put away, every time I see it, I’m thankful for how lovely it is.

Bec Snelling, Douglas & Bec My shower. I love water and cleansing rituals, so in the morning, I use it to transition into the day, then I use it if I ever need to reset, and again at night to finish my day.

Charlotte Rust, Babelogue I recently bought a handmade potato masher from Frances Nation and it’s incredibly effective.

Amber Armitage, art director & stylist

My vintage marble coffee table. I got it from Future Goods and it functions as a central entertaini­ng piece.

Alex Fulton, interior designer & stylist

Things that look a little different to the norm, like my Cacti salt and pepper grinders by DOIY. They add a little something extra to the everyday.

2. We’re endlessly inspired by our local creative community — who’s one maker, designer or architect you admire?

David Moreland, designer at Città

Anyone who’s still practising their craft is nailing it in my book. Seeing work of such a high internatio­nal standard being produced locally is inspiratio­nal.

Juliette Hogan, fashion designer I love Fearon Hay Architects’ creations. Our Auckland workroom was designed by them and we were lucky enough to shoot a recent campaign at Tim Hay’s own home. He designs spaces that just feel so right.

Evie Kemp, stylist & maker Lissy Cole and her husband Rudi Robinson, who combine super-bright fibre craft with traditiona­l Māori art. I love seeing these craft forms brought into a contempora­ry art setting.

Toni Brandso, Material Creative Nat Cheshire of Cheshire Architects. He’s a creative genius whose work inspires me to keep pushing the boundaries with materials and craft.

Charlotte Rust, Babelogue Ghastly Studios, for their originalit­y and strong aesthetic sensibilit­y.

Annique Hessen, Gezellig Interiors

I’ve always had an affinity for Martin Poppelwell’s ceramics. They’re thoughtpro­voking, cheeky and charming.

Imogen Tunnicliff­e, designer at Città

I really admire Christophe­r Duncan’s work. His beautiful hand-woven textiles are so subtly textured and coloured, and include little unexpected details throughout the fabric.

Kirsty McLay, Klay My local community garden in Auckland, OMG —Organic Market Garden — by For the Love of Bees. I’m inspired by their projects and regenerati­ve focus, and consider myself lucky to be able to get a weekly vege box from this urban farm.

Alex Fulton, interior designer &

stylist Gosia Piatek and her fashion label, Kowtow. I really admire their commitment to making a positive change in the fashion world.

Alana Broadhead, curator & designer

There’s a whole new generation of women potters who have left ‘stable’ jobs and come to ceramics as a second career. They’re creating on their own terms, often working from a home studio and around raising a family, and the work is world-class.

3. We’re fans of natural and clever materials — what’s one you’re loving right now?

Nanette Cameron, interior design

educator Wool. Hard-wearing and biodegrada­ble, with acoustic and insulating benefits, it’s so versatile and has so many great properties that it’s often called ‘man’s best friend’.

Janice Kumar-Ward, JK-W Interior

Architectu­re & Design For our furniture business Mr & Mrs Ward, my husband Julian and I use Plytech for its plant-based glues, and we’ll be trialling their ZeroE board made from horticultu­ral waste material in the new year.

Alana Broadhead, curator & designer

I’m seeing terracotta popping up a lot lately, and I’m here for it! I especially love raw terracotta floor tiles, for a Mediterran­ean vacay-everyday vibe.

Michelle Halford, The Design Chaser

& Studio TDC I’ve always loved timber. It ages beautifull­y and adds character and warmth to any space.

David Moreland, designer at Città

We’re working on more ranges in collaborat­ion with Asili, whose makers handcraft pieces from sustainabl­y sourced soapstone and reclaimed olive wood, which have inherent qualities that are wonderful to work with.

Julia Atkinson-Dunn, Studio Home

Ceramics. My vase-collecting has reached new levels and I marvel at the difference­s between each find.

Imogen Tunnicliff­e, designer at Città

Hemp. It’s hardy, grows like a weed, needs very little water to produce and even helps regenerate the soil. Plus, I love the textural qualities it lends to textiles.

Toni Brandso, Material Creative Resin. The Arc Dept made us some tabletops for a recent project and the fluidity of form and depth of colour is amazing.

Hannah Broatch, Hatch Architectu­re

Cork. It’s incredibly sustainabl­e and can be collected without harming the trees. A harvested cork oak tree absorbs up to five times more carbon than one that’s not harvested, and cork forests support one of the highest levels of biodiversi­ty among forest habitats. Plus, cork can be used in many ways — in building, furniture, everyday objects… I wish it was used in rental housing instead of carpet, as it’s healthier, easy to clean and longer-lasting.

Gosia Piatek, Kowtow Cotton, especially our Fair Trade-certified organic cotton, which is pretty much all I wear. It’s an incredible fibre — robust, breathable, comfortabl­e, and the possibilit­ies with it are endless.

4. We champion quality and longevity — what’s a New Zealand-designed piece of furniture or object you predict will be a future classic?

Toni Brandso, Material Creative

I love Luke Jacomb’s glass-blown lights. They’re handcrafte­d, all slightly different and have a unique quality that’ll stand the test of time for sure.

Imogen Tunnicliff­e, designer at Città

Taus Ceramic’s coffee cup for the little indent at the top, the softly curved handle and how it’s just the right size for a morning coffee.

Evie Kemp, stylist & maker The artist-designed rugs by Christchur­ch rug maker Dilana, particular­ly their latest collaborat­ion with Reuben Paterson. They’re truly art for the floor.

Alana Broadhead, curator & designer

Gidon Bing makes a series of sculptural vases in an incredible bone-coloured crackle glaze. He’s taken an ancient crazing technique and applied it to curvy, contempora­ry forms. Instant heirloom status.

Annique Hessen, Gezellig Interiors

Resident’s Kashmir chair has a real timeless elegance about it, comes in lots of different fabrics and is also incredibly comfortabl­e.

Juliette Hogan, fashion designer

Homestyle Editions’ Pedestal table. We’ve just decided on a bespoke version for our new Christchur­ch store. I love that it’s so clean-lined yet purposeful.

Ophelia Mikkelson Jones, artist

& photograph­er The Slingray chair by my husband, Ryder Jones.

David Moreland, designer at Città

Phil Cuttance’s Bud vases are probably his most well-known design, but I think his Herringbon­e cabinets will become sought-after classics.

Michelle Halford, The Design Chaser

& Studio TDC It’s exciting to see New Zealand designers collaborat­e with internatio­nal brands, putting New Zealand on the world stage. The TR lighting collection by Tim Rundle for Menu is one that springs to mind.

Julia Atkinson-Dunn, Studio Home

The Benmore bench seat by Ico Traders. It’s versatile, functional, attractive and destined for a very long life.

5. Personalis­ing spaces is key for us— how do you make your home ‘you’?

Charlotte Rust, Babelogue I surround myself with objects such as lamps and chairs that have a sculptural element as well as being functional. They’re often challengin­g and unconventi­onal, but they’re beautiful to me.

Yuka O’Shannessy, Public Record The house I share with my husband Tristan and our daughters reflects our eclectic taste. We love mixing old and new, and repurposin­g used materials in unexpected ways.

David Moreland, designer at Città By having records and gig posters around the place. I’m a huge music lover, so that’s what I like to surround myself with.

Nanette Cameron, interior design

educator When I moved into my Auckland home built in the ’70s, I had an architect friend design a floor-toceiling, wall-to-wall bookcase. She cleverly designed three of the cavities for displaying treasures to break up the books, which I painted Corbusier red, yellow and blue, and lit individual­ly.

Evie Kemp, stylist & maker Mostly through colour, but also if I love something, I make it work, rather than having a look in mind, then only choosing pieces that fit it.

Gem Adams, Blackbird Goods

My husband Nathan Speeden and

I are avid rock collectors. Little stacks of rocks around the house remind us of adventures we’ve had, and make our house feel like home.

Erena Te Paa, stylist By enjoying trends but not sticking to them. Believe in your own vision, whatever that looks like.

Alana Broadhead, curator & designer

I love creating my own affordable, unique artworks using things that speak to my husband Warren Fryer and I — a portion of a special photo or a line from a song blown up to poster size, for example.

Kirsty McLay, Klay One thing I always do when I move into a new rental house is take down the curtains, which are typically cheap, ugly and hard to clean. I put them in storage and replace them with beautiful curtains I’ve made myself, or use simple bamboo blinds from Auckland’s Wah Lee.

Bec Snelling, Douglas & Bec I have a diverse mix of pieces in my house, including prototypes of my own work that are all a little off and antiques that have been passed on to me. The objects, art and furniture in my home all have a story, which is important to me because it makes me feel connected to my departed mother and grandmothe­r, who were both special homemakers.

6. We’re interested in the transforma­tive power of colour — what combos are you crystal-balling for 2021?

Kirsty McLay, Klay Playful and bold primary colours, combined with vintage-referenced earthy tones.

Juliette Hogan, fashion designer

I’m loving chestnut and deep olive green offset with warm chalk — just perfect.

Evie Kemp, stylist & maker I’m drawn to plummy shades at the moment, paired with quirky partners of coral or acidic green. Subtle as ever!

Alex Fulton, interior designer & stylist

I’m renovating my home and determined to find some combos that involve a colour I’ve been quite mean about in the past — sorry, beige. I’m thinking dusty beige with light blue, rusty cumin, baby-doll pink and earthy green.

Erena Te Paa, stylist I don’t follow colour trends too closely, but I’ve been finding myself drawn to grey and yellow — and now Pantone’s selected them as their colours of 2021!

Charlotte Rust, Babelogue I’ve had a feeling for red lately that I think will come to fruition in 2021, especially as an accent colour.

Amber Armitage, art director & stylist

Purple — all purple. It’s time to go back to the ideals of romance in its purest form, from soft and demure pastels and feminine mid-tones, to hot and confident electric purple.

Toni Brandso, Material Creative

Pastels with earthy, volcanic tones. We’re working on an office fit-out at the moment in which lilac and powder blue are accented with rust and forest brown.

Gosia Piatek, Kowtow Colour is a big part of our design and what I love most about the colours we work with is the tension between them. We’ve got magenta with mud, and forest green with mint coming through in our next collection.

Nanette Cameron, interior design

educator With climate change such a threat, I think we should embrace colours from nature: brown with a gold tinge, green with the hopeful lime tints of spring, gold-toned timber, and accents of warm, soft orange.

7. We’re proponents of thoughtful consumptio­n — how do you put this into practice at your place?

Gem Adams, Blackbird Goods I find buying with intent so helpful. Understand the spaces you’re living in and the items you need, hunt for the right pieces and don’t buy things that are almost but not quite what you want.

Janice Kumar-Ward, JK-W Interior Architectu­re & Design

I miss Glad Wrap, my Reach toothbrush and plastic bags for gross rugby socks and boots. But I’ve given them all up because I genuinely care, more than I care about missing those things.

Kirsty McLay, Klay I’ve been trying to avoid buying from chain stores. Instead, I focus on supporting other local makers and family businesses, and look for quality over quantity.

Michelle Halford, The Design Chaser & Studio TDC We donate or resell our possession­s when we no longer need them.

Yuka O’Shannessy, Public Record I choose goods made from raw materials that have been used for centuries.

Erena Te Paa, stylist I think a piece should live out many lives in a home and be changed up or moved around. It keeps things new and fresh, even if the pieces themselves aren’t.

Julia Atkinson-Dunn, Studio Home Whenever possible, I purchase secondhand. A bit of patina really does it for me.

Annique Hessen, Gezellig Interiors My husband Josh Davey and I have a ‘stand-down’ policy — if we still love something new after 14 days of considerin­g it, then we buy it.

Charlotte Rust, Babelogue Being a vintage store, Babelogue is about recycling and I’m really proud that we’ve created an environmen­t that makes this desirable.

David Moreland, designer at Città By educating my children. I think it’s essential to teach the next generation the importance of what we consume and how we consume it.

8. What’s next on your wish-list for your home or garden?

Bec Snelling, Douglas & Bec When designing new collection­s, I usually put a piece for my own house into them, which is also a way to ensure that my work actually works in the home. This time, it’s a floor mirror that’s also a floor lamp — it’s beautiful.

Evie Kemp, stylist & maker My dream is to have new pink Belgotex carpet installed in my and my husband Sam Holford’s bedroom. That’s something I’ll never tire of.

Kirsty McLay, Klay The next projects for me will be DIY furniture for my house and studio from classic books Autoproget­tazione? by Enzo Mari and How to Construct Rietveld Furniture by Johannes Niemeijer and Peter Drijver.

Gem Adams, Blackbird Goods A piece by Auckland artist Grace Bader. I adore her works and would love to look at one every day.

Alana Broadhead, curator & designer

A thing of beauty is a joy forever, so I’d love a Vuelta lamp by Danish design legends Ferm Living and a Fragment dining table by Simon James.

Annique Hessen, Gezellig Interiors

I’m eyeing up Hay’s Palissade outdoor dining set and I’m also a major fan of Sabine Marcelis’s Soap table.

Janice Kumar-Ward, JK-W Interior

Architectu­re & Design I want to completely renovate the villa we relocated from Morrinsvil­le to Auckland with locally sourced, sustainabl­e and recycled products.

Yuka O’Shannessy, Public Record A brass wall lamp by Takuya Nishimoto of Sen. Charlotte Rust, Babelogue A Jean

Prouvé Trapèze table.

David Moreland, designer at Città

There’s a lot I’d love to do, but right now I wish I had a double garage — more to play table tennis in than for an actual car.

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 ??  ?? CLOCKWISE FROM TOP RIGHT Laundry basket, blackbirdg­oods. co.nz. VS secateurs by ARS, metrogreen.co.nz. Amber’s coffee table. Bread knife by Pallarès Solsona, fatherrrab­bit.com. Potato masher, francesnat­ion.co.nz.
CLOCKWISE FROM TOP RIGHT Laundry basket, blackbirdg­oods. co.nz. VS secateurs by ARS, metrogreen.co.nz. Amber’s coffee table. Bread knife by Pallarès Solsona, fatherrrab­bit.com. Potato masher, francesnat­ion.co.nz.
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 ??  ?? CLOCKWISE FROM TOP RIGHT Auckland’s Hotel Britomart by Cheshire Architects. Ceramics by Martin Poppelwell, thisisspac­e.co.nz. Candelabra by Ghastly Studios, babelogue.shop. Turanga by Lissy Cole and Rudi Robinson, lissycole.com.
CLOCKWISE FROM TOP RIGHT Auckland’s Hotel Britomart by Cheshire Architects. Ceramics by Martin Poppelwell, thisisspac­e.co.nz. Candelabra by Ghastly Studios, babelogue.shop. Turanga by Lissy Cole and Rudi Robinson, lissycole.com.
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 ??  ?? CLOCKWISE FROM TOP RIGHT Ceramics, kaolin.store. Rinnovo hemp fabric (used as curtain), hemptech.co.nz. Cork table by Jasper Morrison for Vitra, matisse.co.nz. Woollen South sweater and Moss-Stitch scarf, julietteho­gan.com. Athena oak lamp, homestyle-editions.co.nz. Carmen resin handle, thearcdept.com.
CLOCKWISE FROM TOP RIGHT Ceramics, kaolin.store. Rinnovo hemp fabric (used as curtain), hemptech.co.nz. Cork table by Jasper Morrison for Vitra, matisse.co.nz. Woollen South sweater and Moss-Stitch scarf, julietteho­gan.com. Athena oak lamp, homestyle-editions.co.nz. Carmen resin handle, thearcdept.com.
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 ??  ?? CLOCKWISE FROM TOP RIGHT Kashmir chair by Simon James, resident.co.nz. Bone Crackle Bulb vase, gidonbingc­eramics.com. Herringbon­e cabinet, philcuttan­ce.com. TR Bulb lamp, menuspace.com. Coffee cup, taus.co.nz.
CLOCKWISE FROM TOP RIGHT Kashmir chair by Simon James, resident.co.nz. Bone Crackle Bulb vase, gidonbingc­eramics.com. Herringbon­e cabinet, philcuttan­ce.com. TR Bulb lamp, menuspace.com. Coffee cup, taus.co.nz.
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RIGHT Erena’s home office. Found rocks. Arch chair and Trio 02 pendant light, douglasand­bec.com.
CLOCKWISE FROM TOP RIGHT Erena’s home office. Found rocks. Arch chair and Trio 02 pendant light, douglasand­bec.com.
 ??  ?? CLOCKWISE FROM TOP RIGHT Pieces by Montana Furniture, cultdesign.co.nz. Cushions, klay.co.nz. Red as an accent in a home in Japan designed by Tadao Ando in 1981. Cloud dress and Iris T-shirt, kowtowclot­hing.com.
CLOCKWISE FROM TOP RIGHT Pieces by Montana Furniture, cultdesign.co.nz. Cushions, klay.co.nz. Red as an accent in a home in Japan designed by Tadao Ando in 1981. Cloud dress and Iris T-shirt, kowtowclot­hing.com.
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Palissade stool and lounge sofa by Hay, cultdesign.co.nz. Untitled 1 by Grace Bader, melanierog­ergallery.com. Autoproget­tazione? by Enzo Mari, klay.co.nz. Fragment table, simonjames.co.nz.
CLOCKWISE FROM TOP RIGHT Palissade stool and lounge sofa by Hay, cultdesign.co.nz. Untitled 1 by Grace Bader, melanierog­ergallery.com. Autoproget­tazione? by Enzo Mari, klay.co.nz. Fragment table, simonjames.co.nz.
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