Manawatu Standard

Five-star family drama deserves to be richly rewarded

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The Farewell (PG, 100 mins) Directed by Lulu Wang Reviewed by James Croot ★★★★★ In English and Mandarin with English subtitles

Despite leaving China when she was just six, Billi Wang (Awkwafina) still calls her Nai Nai (Zhao Shuzhen) whenever she can.

Now 31, the aspiring New York writer worries about her grandmothe­r’s health, while she in turn expresses concern that her grandchild isn’t eating right and hasn’t yet met someone to ‘‘look after her’’.

Billi is behind on her rent and

has just been turned down for a scholarshi­p, then news from Changchun sends her into a tailspin.

After much cajoling, Billi’s father Haiyan (Tzi Ma) reveals that Nai Nai has been diagnosed with stage-four lung cancer. She has only three months to live, but the family has decided it is better not to tell her. ‘‘There’s an old Chinese saying, ‘It’s not the cancer that kills, it’s the fear,’ ’’ he solemnly intones.

To gather the family together to say goodbye (without saying goodbye), Haiyan and his brother have persuaded Billi’s Japaneseba­sed cousin Hao Hao (Chen Han) to fast-track his wedding (he’s only been dating his Japanese girlfriend three months) and hold it in Changchun. Only Billi’s not invited. ‘‘Everyone thinks it’s better if you don’t go – you can’t hide your emotions,’’ Billi’s mother Jian (Diana Lin) informs her. However, Billi has no plans to heed such advice.

As the opening card so eloquently puts it, this fabulous family drama is ‘‘based on an actual lie’’. Drawing on her own experience­s, writer-director Lulu Wang has crafted a compelling, heart-wrenching (and warming) story that will strike a chord with cinemagoer­s of all ages.

A welcome return to the kind of thought-provoking, emotional, very human drama that used to be a regular sight in cinemas in the 1980s and 90s, it’s also arguably a movie that wouldn’t have been made had it not been for the success of last year’s Crazy Rich Asians.

But the Wang family and their surroundin­gs couldn’t be more different from the Singapore-based Youngs. Rather than sunshine-filled estates and extravagan­t shopping sprees, the backdrop here is imposing tower blocks and rain.

And instead of celebratin­g their fast cars and revelling in their walk-in wardrobes, this family crowds around a dinner table groaning with mouthwater­ing homemade delights.

However, like Crazy Rich, this is a story that explores the difference­s between America and Asia. There’s a sense of an inferiorit­y complex among all the service workers Billi encounters in China, even as she points out the problems with the country where she now resides.

Then there’s also the universal language of the omissions and falsities we tell each other in order to ‘‘protect’’ loved ones from awful truths.

Nai Nai’s family believe they are doing her a massive favour, but Billi isn’t so sure. Winningly, the answer isn’t as black and white as mainstream Hollywood would usually have you believe.

At the heart of it all, is a terrific performanc­e from Awkwafina.

Best-known for her scenesteal­ing turns in Ocean’s Eight and Crazy Rich, here she adds an extra dimension of nuance and gravitas as a young woman clinging to her past and trying to forge her own path in life.

It’s a redefining role that hopefully should be richly rewarded in the upcoming awards season.

 ??  ?? Zhao Shuzhen and Awkwafina shine in The Farewell.
Zhao Shuzhen and Awkwafina shine in The Farewell.

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