Manawatu Standard

All for the love of books

- The Bookseller­s is now screening in select cinemas.

The Bookseller­s (E, 99 mins) Directed by D Wyoung Reviewed by James Croot ★★★

This light, bright look into theworld of rare books feels like both a celebratio­n of and eulogy for the profession/obsession.

While highlighti­ng those who have dedicated their lives to buying and selling first editions of Ian Fleming’s Casino Royale and copies of Louisa May Alcott’s little-known sideline in pulp fiction, it also offers up dire warnings about the dwindling number of bibliophil­es among us.

New York City boasted 368 bookstores in 1950. The number when Dwyoung filmed this documentar­y in 2017 was 79.

Yes, the impact of the now outof-favour bricks-and-mortar bookbarns like Barnes & Noble and online stores has also resulted in Fourth Avenue’s ‘‘book row’’ dwindling from 48 shops to one.

But this carefully curated selection of interviewe­es, who include Strand Bookstore owner Nancy Basswyden, the three sisters of Argosy, Law& Order

actor Fran Lebowitz and writer Susan Orlean also lament the decline of book reading in general.

Books have gone from being considered the repository of knowledge to simply an artefact. That means those in the rare books trade have had to pivot more towards having the best, cheapest or only copies, or works of art like jewel-encrusted tomes and one-ofa-kindmanusc­ripts and ephemera to pay the bills. Even the thrill of book collecting itself has somewhat dissipated, the film argues, with the internet making findingwha­t once seemed virtually impossible, sometimes easily available with just a few clicks.

Thatmightm­ake it all sound like a bit of a maudlin-fest – fortunatel­y it’s not. The eclectic characters and their sometimes labyrinthi­ne book-filled spaces are frequently delightful, anxious to shake the traditiona­l cinematic representa­tion of fusty, tweedjacke­ted, leather-patched ageing whitemen, as depicted in the likes of The Ninth Gate or 84 Charing Cross Road (although there is noone here as swarthy as Olivier Martinez’s Paulmartel in 2002’s Unfaithful).

There’s also a fascinatin­g glimpse into the annual New York Internatio­nal Antiquaria­n Book Fair, held in a former indoor tennis court on Manhattan’s Upper East Side, where purveyors try to persuade people to part with their money for copies of Edgar Allan Poe’s near-mythical Tamerlane and other Poems, sometimes complete with coffee cup ring on the dust jacket.

And, ultimately, The Bookseller­s

also offers hope of a book-reading resurgence. As Lebowitz pithily observes: ‘‘The people I see reading actual books on the subway are mostly in their 20s. This is one of the few encouragin­g things you’ll ever see on the subway.’’

 ??  ?? Books have gone from being considered the repository of knowledge to simply an artefact.
Books have gone from being considered the repository of knowledge to simply an artefact.

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