Manawatu Standard

Aless-than-civil neighbourh­ood

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after one glimpse of the Emorys, this self-confessed ‘‘one woman welcome wagon’’ is instead circling them, gathering the local wives together to strategise the best way to drive them out.

Billed as the first

Story, Covenant

American Horror Them: episode which sets its antagonist­ic and angry tone early and builds towards a bravura breathtaki­ng finale that will leave you gasping – and desperate to know more.

Although this first Them’s

period setting may draw comparison­s to last year’s impressive Lovecraft Country,

in truth, this has more in common with the unsettling mood of Jordan Peele’s modern day Get Out, or, to a lesser extent, the surrealnes­s of suburban nightmare Vivarium or the sitcom subversion of Disney+’s Wandavisio­n.

This is the ugly Unpleasant­ville middle-class America didn’t want the rest of the world to see. A ‘‘black mirror’’ of The Help, if all the white characters were clones of Bryce Dallas Howard’s Hilly.

The excellence – and black humour – extends to the upbeat, Doris Day-esque soundtrack choices, the very visualmeta­phors involving cracked wallpaper and dark basements and the Saul Basslike opening credits.

Featuring an exceptiona­l breakout performanc­e from British-born, former Luke Cage star Deborah Ayorinde as the tormented, but determined Livia, Them is a show that should please David Lynch and Spike Lee fans, and one of 2021’s first real examples of must seek-out TV.

Them is streaming now on Amazon Prime Video.

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 ??  ?? Them features an exceptiona­l breakout performanc­e from British-born actor Deborah Ayorinde (pictured with young Melody Hurd who plays her daughter Gracie Jane) as the tormented, but determined Livia.
Them features an exceptiona­l breakout performanc­e from British-born actor Deborah Ayorinde (pictured with young Melody Hurd who plays her daughter Gracie Jane) as the tormented, but determined Livia.

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