Thought-provoking family drama
One of France’s most eclectic and engaging directors of the past two decades has done it again. Francois Ozon has crafted an involving and compelling femaleled film that explores the human condition, offering food for thought and an engrossing watch at the same time.
The 54-year-old film-maker’s last movie was an evocative coming-of-age story called the Summer of 85. This is a provocative end-of-life story about someone at the age of 85.
Inspired by his Swimming Pool and 5x2 screenwriting collaborator Emmanuele Bernheim’s 2013 memoir about her experiences with her father’s failing health, Everything Went Fine details the last months in the life of Andre Bernheim (Andre Dussollier).
Rushing to his hospital bedside after he has a suspected stroke, daughters Emmanuele (Sophie Marceau) and Pascale (Geraldine Pailhas) recognise he has a long recovery ahead of him.
But while they deal with his estranged wife Claude’s (Charlotte Rampling) indifference to his plight – and try to keep him away from the influence of the pesky, persistent Gerard (Gregory Gadebois) – the sisters face an even bigger dilemma when he asks Emmanuele to ‘‘help me end it’’.
Switzerland appears to be the best option for carrying out his wishes. He sets out to instantly prove he’ll be capable of what is required from him.
‘‘I’ll need a strong dose,’’ he boasts. ‘‘Since my bypass, I’ve had the heart of an ox.’’
Unfortunately, he has also had loose lips and, among his revelations of his intentions to various family and friends, he has alerted someone who has gone straight to the authorities.
Now there’s some awkward police questions to answer – and getting him across the border just got a lot harder.
Featuring a terrific performance from former Braveheart star Marceau, Everything Went Fine impresses with its lack of histrionics or grandstanding.
This is a poignant and absorbing familial drama that transforms late into a race-against-time thriller that will surprisingly have you on the edge of your seat.
Perfectly paced, Ozon infuses his story with an intimate, almost documentary style to the camerawork, using close-ups to capture every emotion running through his characters’ minds as the situation constantly changes.
Whatever your feelings about euthanasia, this story invites discussion and will stay with you long after its final frames have disappeared from the screen.
Everything Went Fine is now screening in select cinemas.