New Zealand Listener

Chorus of criticism

Two of our classical stars tell the Listener why RNZ Concert still matters.

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Dame Kiri Te Kanawa has been vocal in her support of maintainin­g RNZ Concert saying the threat to it was “an inestimabl­e blow to the arts in New Zealand”. Her career, she told the Listener, has benefitted from her exposure on radio.

“In 1963, RNZ recorded the Mobil Song Quest in Hamilton where I came runner up, aged 19. I remember being so excited at the thought of being heard throughout New Zealand. Then, in 1965, I won the competitio­n. Sadly, my parents could not be present but they heard me on the radio at home; they were so happy for me.

“Many of my foundation students have been involved with RNZ and it has been pivotal to their career developmen­t.”

She remembers how exposure on radio in the US led to a career breakthrou­gh. In 1974, she sang Desdemona in Otello at the Metropolit­an Opera in New York, taking over from another singer due to illness. “So, I went on and sang the whole opera without any rehearsal – and then discovered it had been broadcast live on radio across the entire US. That one performanc­e became the basis of my later career at the Metropolit­an Opera.

“I see the role of RNZ in 2020 as being an ambassador for classical music, showcasing young New Zealand talent, nurturing and encouragin­g young voices. RNZ should be our voice and a reflection of our country.”

New Zealand-born Samoan internatio­nal opera star Jonathan Lemalu also weighed in: “Seventy years of Radio New Zealand classical music traditions seemingly cast away to make way for a perceived ‘younger, more diverse audience’? What’s wrong with encouragin­g a younger more diverse classical music audience?

“They talk of diversity? Targeting Māori and Pasifika audiences? As one of the elder statesmen of the Kiwi Polynesian classical music community working nationally and globally, I know my achievemen­ts, success and story heard over RNZ airwaves have in some way inspired many multicultu­ral

Kiwi kids in the next generation­s, artists who could easily have had success in other genres, but who chose classical music.

“My role models, like Inia Te Wiata and Iosefa Enari, were passed to me via RNZ Concert and perhaps I was able to inspire in turn.”

“Many [younger singers and musicians] have been involved with RNZ and it has been pivotal to their career developmen­t.”

 ??  ?? Dame Kiri Te Kanawa and Jonathan Lemalu.
Dame Kiri Te Kanawa and Jonathan Lemalu.

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