New Zealand Listener

SHORT TAKE

- RICHARD JEWELL directed by Clint Eastwood Sarah Watt

Richard Jewell recounts the fascinatin­g and often outrageous true story of the security guard who became the No 1 suspect for the Centennial

Park bombing during the 1996 Atlanta Olympics. It’s based on another excellent Vanity Fair article by Marie Brenner – whose investigat­ions into whistleblo­wing within Big Tobacco were the basis of 1999’s superb The Insider – and veteran director Clint Eastwood adds yet another real American hero to his oeuvre, after Sully and American Sniper, to bring this story of FBI foul play and media manipulati­on to the big screen.

In the title role, Paul Walter Hauser’s ( I, Tonya) portrayal of the shambling, dulcet-toned mother’s boy is as endearing as it is compelling, as Jewell’s obsession with joining the hallowed echelons of “real” law enforcemen­t ultimately sets him up as the perfect patsy. As he digs a deeper hole with each well-meaning police interactio­n, we start to fear that this do-gooding citizen may be signing his own death warrant.

The only taint on Eastwood’s otherwise faithful account is Olivia Wilde’s awful reporter character, whose acting is grating and whose portrayal as a “sexfor-tips” journalist has been called-out by her peers as untrue and injurious.

Otherwise, the pace and grit of Richard Jewell show that at nearly 90, Eastwood is not losing his touch. With strong support from Kathy Bates as Jewell’s loyal mum and Sam Rockwell as his sandalwear­ing lawyer, he has crafted a gripping thriller that places the blame for one man’s ruin squarely at the feet of those more powerful.

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