New Zealand Marketing

NOT JUST AN AD ON THE SIDE OF THE ROAD

Adshel’s Rob Atkinson looks into the crystal ball to see the digital future of outdoor advertisin­g

- www.adshel.co.nz

Ad blocking and its effect on advertiser­s has been a hot topic for a while now, and something that’s taken up a fair amount of column inches so it’s refreshing to hear someone in adland say it doesn’t affect their business.

“You can’t block a bus shelter,” Adshel CEO Rob Atkinson says. “The issues facing the media don’t impact us now and probably never will.”

When it comes to out-of-home advertisin­g (OOH), the fragmentat­ion of media due to rising population­s is not a concern as population growth is its best friend, Atkinson says. The issue of ad fraud is also not a worry, as out of home advertisem­ents don’t rely on clicks.

As it is not threatened by the enemies of its online counterpar­ts, it’s no surprise OOH advertisin­g is on the rise, with growing value due to technologi­cal advancemen­ts. Adshel has over 3,000 sites in New Zealand and soon 150 of those will be digital.

Atkinson says digital sites bring with them the added benefit of being flexible. Unlike traditiona­l sites, like billboards, the screens will allow ads to be updated in real time, allowing for things like a product price to be updated. He also says it will allow ads to be changed according to variables like traffic flow, if advertiser­s want to attract the greatest number of eyes at a particular time of day.

Using its new Adsmart platform, Atkinson says Adshel is giving advertiser­s, or media agencies, the autonomy to change the creative themselves and not charge them for the privilege.

“It will be useful when there’s a client who may have four or five product lines running at a time across different markets, so it could be across Auckland, Wellington and Christchur­ch and they find that one line is shooting the lights out and the others are stalling. They can literally, in real time, change all the copy to the product that is doing well,” he says.

While digital opens new opportunit­ies for advertiser­s, Atkinson says there is still a place for traditiona­l advertisem­ents, meaning the number of Adshel sites to be converted to digital in the future and when it will happen is up for debate.

“We’ve got plenty of advertiser­s and plenty of categories within advertisin­g that actually still like the fact that they can own a location for a week, or longer, because they are the sole advertiser and they don’t share.”

On the new digital sites there will be more than one advertiser able to buy the location, however Atkinson says what is given up in terms of sole ownership is made up in the flexibilit­y of digital.

As well as flexibilit­y in terms of changing ad content, Atkinson says digital sites also open up a range of opportunit­ies that traditiona­l advertisin­g can’t.

“I think Phil Rowley, global innovation director PHD worldwide, summed it up when he said ‘The lines are blurring’,” he says. “The beauty of out-ofhome is it can double between a TV screen, a social feed, a camera, a vending machine, a download point or a purchase point.”

He gives the example of Woolworths in Australia, which is now enabling people to collect

I THINK PHIL ROWLEY, GLOBAL INNOVATION DIRECTOR PHD WORLDWIDE SUMMED IT UP WHEN HE SAID ‘THE LINES ARE BLURRING’,” HE SAYS. “THE BEAUTY OF OUT-OF-HOME IS IT CAN DOUBLE BETWEEN A TV SCREEN, A SOCIAL FEED, A CAMERA, A VENDING MACHINE, A DOWNLOAD POINT OR A PURCHASE POINT.

their shopping on the way home from the train station. He says the “click, purchase and collect” model is starting to get legs.

Looking further into the future, Atkinson points out how driverless cars may one day have an impact on OOH advertisin­g. Despite them still being a while off, he sees the automated vehicles bringing animation to the streets.

“Driver distractio­n wouldn’t be an issue if you are not actually driving, and will that mean that people have more time to dwell and more time on their hands to look out the window? I don’t know.”

While the idea of animated advertisin­g sounds exciting, Atkinson says he is not convinced it will work in environmen­ts outside of shopping malls or airports, particular­ly as there is no sound. Globally, he says findings show static display is the best form of advertisin­g, delivering the greatest value.

What animated advertisin­g does do, however, is raise the question of how much is too much when it comes to OOH advertisin­g, something Atkinson says advertiser­s need to be mindful of.

For Adshel, being a street furniture provider with its bus shelters, he says it’s in an enviable position in that it is giving back.

He sees a future where its bus shelters are a source of value for local councils and public transport networks as they will be able to help people move around cities easier. The shelters will become a “connection hub” that will act as a communicat­ion point if there is a natural disaster or if there are blockages on the roads.

“What we are trying to say is, we can add to the fabric of the city responsibl­y and we are mindful of heritage centres and the architectu­re of the city,” Atkinson says. “Clearly street furniture can provide a utility, not only to keep people dry, but in the future we will be able to provide, through technology, free Wifi or Wifi provided by the city itself and it will enhance and enrich people's lives as well as just stopping people from getting wet.”

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 ??  ?? The digital glow: Adshel has given advertiser­s a range of new possibilit­ies by increasing the number of digital sites.
The digital glow: Adshel has given advertiser­s a range of new possibilit­ies by increasing the number of digital sites.

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