GAME NIGHT (R16, 100 MINS) DIRECTED BY JOHN FRANCIS DALEY, JONATHAN GOLDSTEIN

Everybody loves ‘‘just a movie’’. I hear it in the comments and in conversations with friends all the time. ‘‘Why were you so critical of blah blah? It was just a movie.’’

But, so often a film isn’t just a movie. It’s trying to say something, or prove something, or make some damned point about some damned thing and we have to judge the film on whether it was achieved or not.

And then, once in a while, a Jumanji, or a Bad Moms, or even a Lady Bird comes along. Films that want nothing more than to tell us a yarn, make us laugh or cry when we should, and send us out to the night happy to have shelled out for the parking and popcorn because they delivered what they promised with a bit of style and their hearts in exactly the right place.

Meet Game Night.

Jason Bateman and Rachel McAdams are married couple Max and Annie. Max’s brother Brooks, whose charm and success Max finds literally emasculating, is in town. Brooks decides to kick the couple’s regular game night up a notch, with a faked kidnapping scenario staged by actors.

But, Brooks has some real bad guys after him... and that’s all I need to tell you about that.

Bateman and McAdams are a dream team for this material, with Kyle Chandler likewise perfect as the charismatic Brooks. Around these three a solid support cast all do fine things with their moments in the spotlight.

Current go-to guy Jesse Plemons (Black Mirror) continues his you’ve-seen-him-before-butcan’t-remember-where career arc as the sublimely discomforting cop next door. A final quarter cameo for Michael C Hall (Dexter) lifts the film just as it begins to feel like it might be running out of steam.

Game Night probably owes a fair bit of its conception and inspiration to the 2010 Steve Carell/Tina Fey-starring Date Night, but that’s not a bad thing. Date Night is a terrific film and Game Night is mostly worthy of