NZ Life & Leisure

JELLY GOOD

A JOLLY DELICIOUS BUSINESS BORN FROM AN ART PROJECT IS REINVENTIN­G A KIWI CLASSIC

- WORDS EMMA RAWSON P HOTOGRAPHS TESSA CHR ISP

A young Auckland entreprene­ur turns wibblywobb­ly jelly into a delicious business

SUPPOSE THERE WERE such a thing as a jellyologi­st, a scientist with a degree in gelatin. Oh, the wonders they would see. Looking through a microscope, such a specialist might discover that there are joy particles in the molecular structure of gelatin. They might hypothesiz­e that this semisolid matter creates a chemical reaction that makes kids and adults hoot with laughter at the sight of a wibbly-wobbly plateful. Or that jelly’s jiggly qualities have healing properties to soothe sore mouths after wisdom-tooth extraction or bring families together around a Christmas trifle.

Jessica Mentis does not have a degree in jelly; she has a master’s in architectu­re and a bachelor’s in spatial design. Still, she may rightfully call herself the Jellyologi­st, and she named her business just that. In the past five years, she’s studied the form, function and flavour of jellies and has made thousands of them in all shapes, colours and sizes. She’s also seen evidence of the magical spell that jelly casts on children making wobbly creations from her Jellyologi­st jelly kits, which are for sale in supermarke­ts.

“It’s a joy-inducing product,” she says. “Making jelly is an easy thing that brings happiness to children’s faces. That’s the part we love about it.”

It all started as an art project. Jessica read a story in United States design magazine The Great Discontent about the #100dayproj­ect, which called for creatives to post photos on Instagram of the same artistic project or series for 100 days.

Jessica had returned from living overseas in London and New York, where she had worked in marketing and as an assistant set designer. She was itching for something new, and the project allowed her creative juices to flow.

“I came across photos of old ornate jelly moulds in a book. They were carved from wood and set with copper. There was something architectu­ral about them. Jelly is fun because gelatin itself doesn’t have a flavour, but it’s a conduit and takes on any flavour you give it.”

She poured her ideas into moulds she created using a 3D printer. Day one: a cherry liquorice jelly covered in silver balls. Day two: sour apple sherbet prisms. Day 10: marbled nectarine, plum and vanilla blancmange. Day 33: a strawberry and kiwifruit jelly castle. And, on the final day, raspberry jelly on marble spelling out the words “#100 days of jelly”.

“I wanted to test the limits of gelatin as a medium and see how I could manipulate its shape. The project was so much fun, but I had some disastrous moulds where I made the base of the jelly too narrow and it wouldn’t support the top.

"There were shapes I created that would just go wobble, wobble, wobble and then fall over.”

Her 100-days project caught the attention of some famous New Zealanders, which led to her creating pretty pink jellies for fashion designer Trelise Cooper’s birthday party. Soon, Jessica was asked to make a Taj Mahal and Tower of London jelly for an ad campaign for Expedia. There was a growing demand for catering jellies for weddings.

“I’m an artist, and I don’t have a food background, so I had to learn the ins and outs of food preparatio­n and commercial kitchens as I went,” says Jessica, who has another business venture creating art installati­ons.

“Transporti­ng pre-made jellies across Auckland in the height of summer was a learning curve. I had some close calls where I had to have the air conditione­r on full blast so the jellies wouldn’t melt.”

These days, she has the jelly catering business down to an inexact science. Sadly, the global pandemic put a halt to that side of the company. Thankfully, the Jellyologi­st consumer product had been launched in 2019 so when New Zealand went into level 4 lockdown in March, the Jellyologi­st make-at-home range of jellies was already in supermarke­ts.

During the first few weeks of lockdown, the jelly business looked like it was in serious trouble. “At first, we saw a drop off in supermarke­t sales because people were rightfully focusing on buying things such as pasta and rice. We were really worried about the business. But then we opened our online store and sales went gangbuster­s.

“It was so unbelievab­ly relieving and heartwarmi­ng when children started sending us videos of their wobbly jellies.”

The Jellyologi­st do-it-yourself range of jellies includes flavours such as Nan’s Pavlova, Packham Pear, Feijoa & Apple and Elderflowe­r & Apple, which come with garnishes such as dried raspberrie­s and white chocolate. Jessica created the flavours with food scientist and business partner, Jenita Evans. The gelatin itself is a byproduct of the beef industry, derived from collagen.

Jellyologi­st flavours derive from New Zealand fruit juice, which is turned into a powder using a process called spray-drying. The technique creates an intense taste and a product low in sugar.

The master Jellologis­t kits contain the brand’s signature cone mould, a design Jessica had discovered during her 100-day project. “The cone is the ideal architectu­ral shape for a jelly morsel. It has optimum wobble because the shape has a steep point at the top, which allows it to really wobble around on the plate. It’s also a self-supportive shape so it’s not going to implode or self-destruct.”

The Jellyologi­st has recently added new products to its range. All represent a healthier twist on the traditiona­l New Zealand jelly, with 30 per cent less sugar than the market leaders and natural colours.

“Jelly is so nostalgic, and we remember it from our childhoods, but there hasn’t been any innovation in this food category for 60 or 70 years. It’s been a long journey for us creating something innovative and healthy and still loads of fun.

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 ??  ?? Jessica Mentis didn’t imagine the artistic jellies she made for the # 100dayproj­ect five years ago would evolve into a business. She still owns the jelly moulds she used, including some vintage pieces and others she designed on a 3D printer.
Jessica Mentis didn’t imagine the artistic jellies she made for the # 100dayproj­ect five years ago would evolve into a business. She still owns the jelly moulds she used, including some vintage pieces and others she designed on a 3D printer.
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 ??  ?? Jessica lives in an Auckland apartment, which has become Jellyologi­st HQ. She built a commercial kitchen so she can prepare hundreds of jellies at a time when catering for weddings and parties.
Jessica lives in an Auckland apartment, which has become Jellyologi­st HQ. She built a commercial kitchen so she can prepare hundreds of jellies at a time when catering for weddings and parties.
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