Otago Daily Times

snap shot The Good Cop

- By VERNE GAY

What it’s about: Big Tony Caruso (Tony Danza) is a disgraced former NYPD officer, just out of jail, who now lives with his son, TJ (Josh Groban). TJ is a straight arrow and a bythebook former boy scout, and pretty much everything his old man is not. TJ’s crusty partner, Loomis (Isiah Whitlock jun), is counting down the days until retirement. Big Tony’s parole officer, Cora Vasquez (Monica Barbaro), is counting the days until she can become a full detective. Big Tony’s out of the force now, but that doesn’t mean he can’t help the kid solve some crimes. He does, or at least he tries to.

Based on an Israeli series, The

Good Cop was created by longtime SNL writer Andy Breckman, best known for his other creation, Monk.

My say: With The Good Cop,

Breckman plays to his strength (Monk) and Danza plays to his, which is pretty much all the Tonys he’s ever played, from Taxi to Who’s the Boss? It’s impossible to say what strength Groban plays to because he’s best known for singing love songs that set middleaged hearts aflutter. That doesn’t happen here but give him time. The Good Cop is that hokey.

In fact, or despite himself, one of the chief appeals of The Good Cop is Groban, with his scrubbedbe­hind theears demeanor and boy scout affectatio­n. You don’t quite buy him as a cop, but you will as Josh Groban playing one on TV. That’s flaky, but at least not offputting.

What’s especially idiosyncra­tic about The Good Cop, however, is format and venue. This is an oldfashion­ed serial playing on a newfashion­ed network. It conspicuou­sly embraces television’s past, where the murder takes place before the first commercial break and the big reveal just before the last. The cop cliches are so broad they almost write themselves. It’s a plate of warmedup spaghetti topped with ragu. Nothing fancy, nothing surprising, but it does get the job done, whatever the ‘‘job’’ is, exactly — maybe just a pleasant, nostalgic, occasional­ly amusing stroll down memory lane, with some funny lines and broad setups. Monk managed the same feat over many seasons, so you could certainly ask for worse.

Netflix does like to call this an Odd

Coupletype show, but the real odd coupling is Netflix with The Good Cop.

The show does not demand to be binged, but sampled. Danza, who does not break from type, is another steady reminder of TV past, specifical­ly his own. Why this is on Netflix is a mystery bigger than any the Carusos will tackle this season.

Bottom line: Goodnature­d, light as air and prehistori­c by Netflix standards. — TNS

 ?? PHOTO: NETFLIX ?? Tony Danza (left) and Josh Groban in The Good Cop.
PHOTO: NETFLIX Tony Danza (left) and Josh Groban in The Good Cop.

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