Otago Daily Times

Restoring the glory

- Kim.dungey@odt.co.nz

RESTORING this large Dunedin home was not for the faintheart­ed. False ceilings, rotten windows and surfacemou­nted electrics greeted Aucklander­s Eunan Cleary and Gillian Alexander when they first saw the St Clair property in 2017.

Built in 1906, it had been split into flats about 1940. When the couple took over, there were still eight bedrooms, five bathrooms, three kitchens and two front doors.

‘‘The previous owner had lots of ideas about what he was going to do with the house and bought lots of stuff for it, so basically the whole downstairs was being used as a storage area,’’ Ms Alexander says, explaining that the chattels included antique light fittings, imposing sideboards and imported radiators.

While the pair had their hearts set on buying an old house with character, they initially had no thoughts of taking on a renovation.

‘‘It was a really big mess and at the time, the owner had quite a high price on it . . . Our eldest son, who came down with us to look, said he wouldn’t touch it with a barge pole,’’ she says with a laugh. ‘‘But we watched it online for several months and the price kept coming down, to the point we thought maybe it was doable.’’

Students at the University of Otago in the 1970s and ’80s, the couple had worked in Auckland for 33 years — Ms Alexander in pharmaceut­icals and Mr Cleary in public transport.

‘‘One of the big attraction­s of moving back to Dunedin is that it’s a city of fabulous architectu­re,’’ says Ms Alexander, now treasurer of the Cargill’s Castle Trust, which aims to preserve the ruins of another of St Clair’s former stately homes. ‘‘The prospect of being a little part of that was pretty attractive.’’

The 13month restoratio­n, led by builders Stevenson and Williams and involving more than 85 tradesmen, revealed some unwelcome surprises.

Some of the floorboard­s were affected by borer and could not be saved, she says. The builders planned to saw down between each joist before removing each board ‘‘but when they started flicking up the floorboard­s, the joists came as well because they were also full of borer. They had no strength in them at all.’’

Then came the bombshell that a bricklayer repointing the four huge chimneys had felt the one above the coal range wobble. ‘‘He got off the roof as fast as he could and work stopped.

‘‘The other was when they took the false ceiling out of the old kitchen and found a hot water cylinder that they didn’t know was there. They’d taken the wall out from under it and it was just sitting on a 2x2. So they all scarpered again. The plumber had to come to empty it.’’

Internal walls, window frames and oak panelling had all suffered water damage. An exterior wall had to be replastere­d and the badly damaged Marseilles tile roof replaced. An upstairs bedroom had no ceiling and only two of the remaining pressed metal ceilings could be saved. In fact, a friend recently described the property as a new house masqueradi­ng as an old one: ‘‘Because it was split into four flats and it wasn’t looked after, a whole lot was lost.’’

Undeterred, the couple spent eight months living in a rental while they tackled the jobs they did not want to pay profession­als to do.

These included waterblast­ing brown paint from a band of white bricks on the exterior of the house, searching secondhand yards for period fixtures and installing insulation. They also restored fire surrounds and stripped paint and wallpaper from almost every room, sometimes engulfed in clouds of dust.

Built by the owner of a brickworks, the house has triplebric­k exterior walls and doublebric­k internal walls covered with lime plaster — a highly alkaline material that can irritate the skin, Mr Cleary explains. ‘‘You’d go home after a day here and you’d be desperate for a shower.’’

Although the experience was completely different from their officebase­d jobs, the rewards were worth it. Both recall the excitement as blocked doors were opened and partition walls and false ceilings came down, revealing light, spacious interiors. In the back hall, they found an arch that had been bricked up and the original cornice, hidden under the lowered ceiling. Even the loss of the wooden floors had an upside, Mr Cleary says, as half of the ground floor now has insulation and a vapour barrier.

Originally built for gas, the house was soon converted to electricit­y. The original coal range with two fire boxes no longer remained but the flues became the main conduit for taking new wiring between the floors.

Landscapin­g is still to be completed but already they have found lots of bricks buried in the garden. The clay blocks were also packed under the floor in places: ‘‘It was like the answer to every question was to use more bricks.’’

The 420sq m home, which had a reputation for hosting raucous parties in the 1980s, now has five bedrooms, three bathrooms and a layout that largely matches the original.

One change they made was creating an openplan kitchenfam­ily room from what was originally a breakfast room and the housekeepe­r’s bedroom, Ms Alexander says. ‘‘We didn’t need another bedroom and although we wanted to retain the old features, we wanted a house suited to modern living.’’

While not ruling out another renovation in the future, the owners are content to enjoy the fruits of their labour and have no plans to turn the property into a bed and breakfast as some people have suggested.

Ms Alexander says there was ‘‘definitely a bit of naivety’’ going into the project and if they had realised what was involved, they might not have started.

‘‘The thing is by the time you first have that thought, you’re already so far into it that you can’t stop. For at least 10 months, the house was such a mess that it was worth nothing ...’’

However, they could not be happier with the outcome.

One selling point for Mr Cleary was the offstreet parking and two garages, which can be difficult to find in Dunedin; the original owners were early car enthusiast­s and competed successful­ly in Otago Motor Club hillclimbs. They also appreciate the 180degree views of the city and coast, the 3.5m stud that makes the rooms feel airy and the triple brick walls that hold heat in winter.

‘‘It’s light, spacious and captures all the sun. It’s easy to live in,’’ Ms Alexander adds. ‘‘There’s nothing that we wish we’d done differentl­y.’’

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 ?? PHOTOS: GREGOR RICHARDSON ?? The restoratio­n of this Dunedin home took more than a year. Owners Gillian Alexander and Eunan Cleary investigat­ed reroofing in terracotta but were put off by the cost, which was three times that of pressed steel. ‘‘Getting the garden looking good is a longer project but we’re getting there,’’ Ms Alexander says.
PHOTOS: GREGOR RICHARDSON The restoratio­n of this Dunedin home took more than a year. Owners Gillian Alexander and Eunan Cleary investigat­ed reroofing in terracotta but were put off by the cost, which was three times that of pressed steel. ‘‘Getting the garden looking good is a longer project but we’re getting there,’’ Ms Alexander says.
 ??  ?? Eunan Cleary and Gillian Alexander moved into the historic home from an ‘‘ultramoder­n’’ house in Auckland. ‘‘It was time for a change,’’ they say.
Eunan Cleary and Gillian Alexander moved into the historic home from an ‘‘ultramoder­n’’ house in Auckland. ‘‘It was time for a change,’’ they say.
 ?? PHOTO: SUPPLIED ?? The southeast wall when the owners took possession. After replasteri­ng the wall and replacing rotten window frames, they left the dining room in behind to dry out over summer, then redecorate­d.
PHOTO: SUPPLIED The southeast wall when the owners took possession. After replasteri­ng the wall and replacing rotten window frames, they left the dining room in behind to dry out over summer, then redecorate­d.
 ??  ?? The kitchen’s colour scheme was inspired by reproducti­on Art Nouveau tiles chosen for the splashback.
The kitchen’s colour scheme was inspired by reproducti­on Art Nouveau tiles chosen for the splashback.
 ??  ?? Dunedin stainedgla­ss artist Kevin Casey took this piece of painted glass from an old damaged window and incorporat­ed it into a new window on the landing. Mr Casey, who bought the window at auction almost 20 years ago, said it was probably made in England more than a century ago and would have come out of a substantia­l home.
Dunedin stainedgla­ss artist Kevin Casey took this piece of painted glass from an old damaged window and incorporat­ed it into a new window on the landing. Mr Casey, who bought the window at auction almost 20 years ago, said it was probably made in England more than a century ago and would have come out of a substantia­l home.
 ??  ?? The stairwell was walled to the ceiling when the owners took possession and the newel post and balusters at the top were missing.
The stairwell was walled to the ceiling when the owners took possession and the newel post and balusters at the top were missing.
 ??  ?? The metal panelling in the front entrance is original.
The metal panelling in the front entrance is original.
 ??  ?? The family room features an original pressed metal ceiling and stained glass windows.
The family room features an original pressed metal ceiling and stained glass windows.
 ??  ?? The spacious master bedroom is on the first floor.
The spacious master bedroom is on the first floor.
 ?? PHOTO: SUPPLIED ?? One of the kitchens when the house was divided into flats.
PHOTO: SUPPLIED One of the kitchens when the house was divided into flats.
 ??  ?? The bathtub in the original bathroom offers views of the city and the coastline.
The bathtub in the original bathroom offers views of the city and the coastline.

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