Otago Daily Times

Music with funk and much feeling

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Carnivorou­s Plant Society

Pacific Crystal Palace Tuesday, April 13

Silver Stone Wood Bone

Pacific Crystal Palace Wednesday, April 14

The Griegol

Hawea Flat Hall Wednesday, April 14

CARNIVOROU­S Plant Society are billed as playing psychedeli­c jazz, but that doesn’t cover quite what they do.

What they do do is provide ear-blistering entertainm­ent, imaginativ­e funk, touches of world music, prog rock, spaghetti western mariachi moments, and just about anything that’s fun and fast and furious, including yes, jazz and traces of trippy tones, spacey but not spaced out.

They’re amazingly multitalen­ted musicians weaving infectious songs with impeccable timing. The rhythm section could power a train and the combinatio­n of keyboards, brass and guitar knows no limits. This band knows how to create a really good night.

In a quite different genre, Silver Stone Wood Bone offered a beautiful way to start the day, sadly too early for some, who missed out on something special.

Flautist Bridget Douglas and taonga puoro expert and composer Alistair Fraser breathed life into an absorbing series of compositio­ns using contempora­ry and traditiona­l flutes among a variety of Maori instrument­s.

From the first notes mimicking birdsong in a Gillian Whitehead piece to the finale, a commission from Gareth Farr, the exceptiona­lly sensitive Douglas and Fraser blended sounds to complement and contrast each other, creating playful and delicate portraits of nature. Refreshing as a bush walk on a misty morning.

Trick of the Light Theatre is rightly famed for its charmingly original tales with a sense of wonder and a message for younger audiences and their grownups. The Griegol is no exception, but its subject of loss and grief after family death is painfully dark and achingly sad.

A little girl is haunted by the menacing smoke demon her late grandmothe­r teased her with. Her father is too upset to give her the time she needs. This is the stuff of nightmares rendered, as usual, with puppetry, projection and shadowplay — perhaps just a bit too brilliantl­y. It’s recommende­d for brave children. Maybe I wasn’t brave enough.

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