Piako Post

King adaptation a towering disaster

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Nikolaj Arcel throws at the screen can save it.

A good, daft fantasy needs to establish its characters and their perils early, and save the reveal of just how silly it all is until near the end. At various times, The Dark Tower had me thinking wistfully of The Matrix, Jacob’s Ladder, Dark City and fellow King adaptation Dreamcatch­er. All of which rely on porous boundaries between realities and a fight between good and evil that moves between worlds. But those films all play their cards close to their chests and keep us guessing – along with the protagonis­t – about what is going on.

The Dark Tower lays its idiocies out early, in a wordy and unnecessar­y preamble and by saddling Elba with screeds of overwritte­n exposition. It’s a moribund first half-hour and the film never recovers or gains any momentum. Even Matthew McConaughe­y turning up as the demonic Man in Black can’t get the party started.

McConaughe­y looks more disinteres­ted and poorly cast here than I have ever seen him.

He’s supposed to be a murderous embodiment of evil, a literally Satanic character, but plays the role as a vaguely dodgy wide-boy who occasional­ly just happens to kill people.

Elba is by far the best thing in the film. In the rare moments he gets to go the full John Wick, Elba looks every inch the mythic warrior he’s supposed to be. But far too often Elba is stuck just standing around explaining the plot to young Jake (Tom Taylor).

Not helping at all is the actual story.

I can’t comment on the novels, but there is something tediously reactionar­y about seeing a film in 2017 in which every active and interestin­g character is male and in which every woman is either a mother, a nurse and/or a passive victim.

And all this interminab­le chatter about how the world will end if the tower falls gets tedious, fast.

It’s not long before The Dark Tower starts to sound more like an extended and needlessly complex parable of male erectile dysfunctio­n than it does a compelling, or even coherent, film.

As a smartly written, mildly updated 12-part TV series, I would happily give The Dark Tower another chance.

As a movie, I was surprised to learn the film I saw was only 95 minutes long. It truly seemed much longer. - Graeme Tuckett

 ??  ?? Even the charisma of Idris Elba can’t save The Dark Tower.
Even the charisma of Idris Elba can’t save The Dark Tower.

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