Sunday Star-Times

Morocco unplugged Drop out of cyberspace to experience ‘real time’ on a new Digital Detox trip, writes

Louise Southerden.

- James Thornton Intrepid’s managing director

To send postcards when you’re travelling there are apps. Or you could sit at a sunny outdoor cafe in a mountain town, with a pen in your hand, a cat warming your lap (every Moroccan cafe has one) and some actual postcards on the table before you.

That’s what I’m doing, five days into my first trip to Morocco. The cafe has wi-fi – I can see other patrons scrolling through their Facebook feeds – but I haven’t asked for the password. Because I don’t have my phone with me, because I’m on one of Intrepid Travel’s new Digital Detox trips.

When I first travelled overseas, the internet hadn’t been invented yet and mobile phones were still the size of a housebrick. Mail days were special occasions on my three-month overland trip across Africa that year. It was like a scene from M*A*S*H: our guide would return from town with an armful of grimy, well-travelled envelopes addressed to ‘‘Poste restante’’, we’d crowd around him while he squinted at each handwritte­n name and those of us lucky enough to receive weeks-old news from home would retreat to the shade of a tree to read it.

Back then, there were large chunks of the globe where you could be pretty much guaranteed no contact with the rest of the world. Now communicat­ions of all kinds bombard us from all directions at all hours, wherever we are.

Why unplug?

‘‘The problem with digital technology is that it’s future- and past-oriented, always taking you to where you’re not,’’ says environmen­tal psychologi­st Dr Rob Hall. That might be handy when planning a trip or sharing your adventures en route, but it can also stop you from experienci­ng the place you’ve gone all that way to, well, experience. Last year, Intrepid Travel launched four innovative Digital Detox trips in response to feedback from its 1300 trip leaders in more than 100 The new trips encourage travellers to ‘switch off for long enough to immerse themselves in the experience and to connect with people...’ countries. ‘‘Where’s the toilet?’’ used to be the question trip leaders were most often asked, they said. Now it’s, ‘‘What’s the wi-fi password?’’

‘‘Our trip leaders have told us that social media is not only changing how our travellers connect with each other,’’ says James Thornton, Intrepid’s managing director, ‘‘it’s influencin­g their ability to connect with the locals they meet along the way.’’

The new trips aim to remedy this, by encouragin­g travellers to ‘‘switch off for long enough to immerse themselves in the experience and to connect with people – because that’s when a trip goes from being just a holiday to something more lifechangi­ng’’.

The pledge

It’s a wintry evening in Casablanca when I meet trip leader Khalid Lamlih and my fellow detoxers: three 20-something postgrad students from China and Mexico all living in the US and a 45-year-old engineer from South Africa.

Khalid gives us an overview of the week ahead, impressing on us that Morocco is bigger and more complex than most first-timers think – 3000 kilometres end to end with two cultures, Arab and Berber, and a history more complicate­d than Game of Thrones – which is why it’s going to take us nine days to zigzag across North Morocco to Marrakesh.

Then he talks about the Digital Detox part, but it’s not until the next morning, when we all have to sign a pledge not to use our smartphone­s or any other devices during the trip, that reality sinks in. There are nervous laughs around the breakfast table as we ‘‘solemnly swear to renounce all forms of technology’’, to unplug from social media, to ‘‘like but never ‘like’’’ and to ‘‘ask humans, not Siri’’ when we have questions.

One of the Chinese students, Tan, confesses that she’d thought the phone-free references in the trip notes were meant in a light-hearted, phoneoptio­nal way. Describing an opportunit­y to try a camel burger, for instance, the notes say, ‘‘If you didn’t Instagram it, did you really eat it? #youdid.’’

So she’s genuinely alarmed at the prospect of being phone-less for a week. Khalid shrugs, not unsympathe­tically (he can still use his phone, of course).

‘‘But I have to text my mom!’’ Tan says. This is going to be interestin­g.

Treasure hunt

Our first tech-free test is a one-hour train ride to Rabat, the capital. (The trip doesn’t include any time in Casablanca, for good reason. Morocco’s largest city and economic capital is rather charmless despite the mystique created by the eponymous 1942 movie, which was filmed entirely in Hollywood anyway.)

As the train leaves the station, we lose ourselves in getting-to-know-you chat. Then I notice something. The carriage is full, but we’re the only ones talking. All the other passengers are scrolling, listening, tapping. It’s the first sign that this is very different to the accidental ‘‘digital detox’’ trips I’ve been on in recent years, always in remote or sparsely populated places without wi-fi or mobile reception. This time we’re in civilised cyberspace, choosing to ignore it.

In Rabat, we stash our luggage at a cafe near the station. Khalid gives us printed maps and points out the city’s highlights before sending us on a traveller’s treasure hunt to find them, on foot and by taxi. It’s a great way to see the city – the markets, the ruins of a 12th-century mosque, the tree-lined Avenue Mohammed V – until we get lost in the maze-like Oudaya Kasbah, an imposing cliff-top fort.

Out of habit, Tan opens Google Maps on her phone, prompting mock howls of protest from the rest of us. Then Jimena, from Mexico, pulls out her guidebook and leads the way to our last stop, a rampart with a view over the city, a surfing beach and the Bou Regreg river flowing into the cold, grey North Atlantic. Mission accomplish­ed.

Holy hill town & Roman ruins

Although you can do this trip without the Digital Detox component, the itinerary cleverly maximises our people-time: we travel mostly by public transport, stay at locally owned hotels and homestays, and have a different local guide at each stop.

At Moulay Idriss, two hours by train and 45 minutes by road from Rabat, our bags are loaded onto a donkey for the steep walk to our homestay while we explore with our first local guide, Magid. It’s late afternoon and getting colder by the minute when Magid, a schoolteac­her, leads us through this picturesqu­e little town spilling down the side of Mount Zerhoun. As we walk along narrow lanes, he points out landmarks of daily life – the public bakery, the hammam, the mosque – and explains why this is Morocco’s holiest town. Its founder, Moulay Idriss, a descendant of the Prophet Mohammed, brought Islam to Morocco in the eighth century, he says, and became the country’s first Arab ruler. Now more than half a million pilgrims visit every year and making five pilgrimage­s is said to be the spiritual equivalent of going to Mecca.

Suddenly we emerge at a terrace warmed by the setting sun. Everything is golden and still, the only sound a

muezzin’s call to prayer from a mosque below. We snap a few pictures and stand in silence. Not a single photo is shared.

Next morning we drive 5km down the mountain and deeper into predigital time, to Volubilis. Local guide Abdullah shows us around this World Heritage-listed site, rebuilding with his words the city that once stood at the south-west corner of the Holy Roman Empire and was home to 25,000 Romans and Berbers at its peak in the second century.

We walk along straight-as-an-aqueduct avenues that chariots would have rattled along and under the triumphal arch, peer into now-roofless public baths and houses, their mosaic floors still intact, and gaze out at vineyards, olive trees and wheat fields first planted on the surroundin­g plains more than 2000 years ago. Incredibly, two-thirds of the city lies under our feet, including a colosseum and arena, buried by an 18th-century earthquake and still waiting to be unearthed.

A tale of two cities

Every Moroccan city has two parts – a ‘‘nouvelle ville’’ (new city) and a medina (old city) – but nowhere is the contrast between them greater than in Fez. In Fez’s new city, with its cosmopolit­an locals, high-rise apartment blocks and street-facing footpath cafes, you could be in southern France. Then you plunge into the medina, the world’s oldest ‘‘old city’’, and find a medieval ant-farm of earthen lanes where people get around in djellebas (long hooded robes) and pointy babouche slippers; fresh camel heads advertise local butchers and every second shop is an Aladdin’s Cave brimming with Berber jewellery.

We’re there on a Friday, a day of prayer for Muslims, and many shops are closed, making the medina oddly peaceful. Morocco’s souvenirs are hard to resist – leather bags, jackets and sandals, hand-woven Berber carpets, clay tagines, lanterns, silver jewellery – particular­ly in Fez. ‘‘If people want something handmade, they come to Fez, even from Marrakesh,’’ says our guide Hakima.

Chefchaoue­n: The Blue City

Another reason this trip doesn’t feel like a tour is that there’s oodles of free time: three whole days and four afternoons plus all our lunches and dinners (only breakfasts are included). Khalid gives us local tips along the way, from where to go for a hammam to how much to pay for a taxi, which gives us the confidence to explore independen­tly, even individual­ly.

On day six, after a four-hour bus trip from Fez, we arrive in Chefchaoue­n, Morocco’s famed ‘‘blue city’’, which is ideal for solo exploratio­ns. (I never feel unsafe on the trip and this is one Arab country where female travellers don’t need to wear headscarve­s; many Moroccan women don’t.)

I spend that first afternoon letting blue doors lead me down quiet touristfre­e lanes where I watch boys doing parkour moves against blue walls and befriend a few street cats before sitting in a sunny cafe to write those postcards.

The next morning our little group comes together for a half-day hike in the surroundin­g hills that takes us past two small mosques, Berber women herding goats and lush fields of cannabis (‘‘kif’’ has been farmed in the Rif mountains since the 15th century and Morocco is one of the largest producers in the world).

It’s all very rustic, until we stop for mint tea at a farmhouse and our guide Abdul gets out his phone. ‘‘My friend sent me a joke on WhatsApp,’’ he laughs. Even when you press ‘‘pause’’, it seems, the world keeps turning.

Road trip to Tangier

Khalid has quite a repertoire of techfree ways to pass the time, it turns out. On our three-hour road trip from Chefchaoue­n to Tangier, he tells us a Moroccan fable about two brothers, Mustafa and Ali, a red lantern and greed, while we gaze out the windows imagining the action unfolding in any one of the flat-roofed villages we pass. Then, to save us from our own playlists, he plugs his phone into the car stereo and treats us to some Moroccan and North African music. It’s like listening to the landscape itself.

Before we know it we’re standing at the north-west tip of Africa, Cape Spartel just outside Tangier, looking across the water at Spain, 14 kilometres away.

A free afternoon gives us a few tantalisin­g glimpses of Tangier, a gleaming beachfront metropolis­under-constructi­on once renowned for its spies and diplomats, artists and musicians and writers such as William Burroughs, Jack Kerouac and Paul Bowles – who lived here for 52 years until his death in 1999 and has a room dedicated to him at the fascinatin­g American Legation Museum.

Then it’s sunset on the wide beach until the temperatur­e drops and we retreat to a Lebanese restaurant across the road for dinner (Tangier must be one of the most multicultu­ral cities in Africa). With hours to kill before our overnight train to Marrakesh, Khalid helps us resist the siren call of the restaurant’s wi-fi by teaching us card games. I’d forgotten how playing cards quickly and easily brings people together.

By the time we’re on the train, settling into our four-bed compartmen­ts, it’s late and we’re all too tired to play cards or sing Crosby, Stills and Nash songs (Graham Nash’s 1960s Marrakesh Express was inspired by a train ride to Marrakesh). The overheated carriage rocking on its rails sends us gently to sleep.

End of the line

‘‘Bonjour! Marrakesh 30 minutes!’’ Just like that we find ourselves in another big city, at the bosom of Mother Interweb, checking Facebook over a hotel breakfast.

We ‘‘friend’’ each other and swap email addresses. Confession­s emerge: Tan had sent text messages to her parents most nights and a few others had checked social media in their hotel rooms. ‘‘I didn’t have anything else to do,’’ says Jun, the other Chinese student, ‘‘and reading gets boring.’’

There are revelation­s too: ‘‘Once I reconnecte­d, I realised what a relief it has been not to be on Facebook, email and WhatsApp,’’ says Sly, from South Africa.

Of course there’s an element of artifice to an experience like this, like choosing candleligh­t when you have access to electricit­y. It’s romantic and retro and unrealisti­c long-term. But unplugging long-term had never been our goal.

Digital Detox trips are about getting back to first principles, sharing simple pleasures and rememberin­g why we love to travel: to experience the world for ourselves, see things with our own eyes, have encounters with people only we can have. Maybe next time I’ll leave my camera at home too, just to see what happens. – Traveller

The writer travelled as a guest of Intrepid Travel.

 ??  ??
 ?? LOUISE SOUTHERDEN ?? One of Chefchaoue­n’s blue doors.
LOUISE SOUTHERDEN One of Chefchaoue­n’s blue doors.
 ?? ISTOCK ?? The shopping is fabulous in the medina streets of Fez.
ISTOCK The shopping is fabulous in the medina streets of Fez.
 ?? LOUISE SOUTHERDEN ?? Sunset in the pilgrimage town of Moulay Idriss.
LOUISE SOUTHERDEN Sunset in the pilgrimage town of Moulay Idriss.
 ?? ISTOCK/ PAVLIHA ?? A woman in blue djellaba walks through the medina in Fez.
ISTOCK/ PAVLIHA A woman in blue djellaba walks through the medina in Fez.

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