Sunday Star-Times

The figures

- Brittany Keogh

Attempts to woo Hollywood filmmakers back to New Zealand through an $86,000 marketing campaign has led to a ‘‘steady flow’’ of inquiries.

The marketing campaign by Auckland Tourism, Events and Economic Developmen­t (ATEED) included a glossy 20-page advertisin­g supplement in The Hollywood Reporter’s Toronto Daily .

The advert was partially funded by 11 other New Zealand agencies and the spend also included a stand at the 2018 Toronto Film Festival, travel costs for one staff member, and online advertisem­ents.

The publicity comes as the location of the US$1 billion TV adaptation of Lord of the Rings hangs in the balance. Auckland was considered for the Amazon production but it’s understood studio space was an issue, and production executives were considerin­g Scotland as an alternativ­e.

New Zealand film producer John Barnett said ATEED’s investment would pay off if it attracted even one big production to Auckland. Barnett, former long-time South Pacific Pictures boss, considered it a good use of public money.

He estimated a single production that came to Auckland as a result could bring in more than $20m: ‘‘These things are not about the quantity but the quality.’’

According to documents obtained by the Sunday StarTimes,

the aim of the marketing was to ‘‘brand Auckland as open for screen business’’, promote the region’s studios, pre- and postproduc­tion facilities and boost Advertisin­g supplement in The Hollywood Reporter Toronto dailies ........................................... $48,640 Online ads ..................................... $7600 Social media campaign ........ $6400 Stand at the festival .............. $10,995 Travel for one staffer ............ $12,458

(Eleven companies in the New Zealand film industry contribute­d the remaining $45,300 for the advertisin­g supplement) inquiries to Screen Auckland. More than 480,000 people attend the Festival annually, including industry heavy hitters and is considered one of the most influentia­l film marketplac­es. The advert was inside a copy of The Hollywood Reporter, given free to attendees, and was expected to be seen by 4000 ‘‘financial decisionma­kers including studio heads, producers, directors, and heads of physical production’’. The ATEED staffer who operated the stand at the festival reported internally they made 40 new contacts and left with ‘‘five good project leads’’.

Since the festival, two potential North American clients contacted Screen Auckland referencin­g the supplement.

Those enquiries led to ‘‘a positive meeting’’ and an email and phone conversati­on with a US producer about co-production opportunit­ies in Auckland.

ATEED general manager of economic developmen­t, Pam Ford, said the marketing campaign was successful and ‘‘led to a steady flow of solid production inquiries and relationsh­ips’’ being made.

The collective partnershi­p had ‘‘secured high-profile exposure none of the organisati­ons could have achieved on their own’’.

Ford would not discuss the details of the inquiries because of confidenti­ality. According to Statistics New Zealand, Auckland’s screen industry earned more than $1.1b in revenue in 2017.

What the Toronto Internatio­nal Film Festival marketing campaign cost ATEED (NZ$)

TOTAL: ............................ $86,093

 ??  ?? Actor Jim Moriarty.
Actor Jim Moriarty.

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