NZ protest through the ages
Gordana Rodden meets the photographers who’ve documented decades of dissent.
Photojournalist John Selkirk is no stranger to protests. His 45-year career put him in the middkle of many demonstrations. Most, like Monday’s Extinction Rebellion protest in Wellington, were passive forms of resistance. But the 1981 Springbok Tour was ‘‘violent’’ and unlike anything Selkirk ever saw again.
He feared for his safety – violence on both sides meant keeping vigilant and remaining neutral were paramount. There were no helmets or vests for the press.
‘‘You had to sort of hide your camera from the rugby supporters. They weren’t happy with the media because they felt like we were giving protesters too much coverage.’’
Changes happened quickly and photographers had to move fast. When protesters swarmed the pitch and stopped the Hamilton match on July 25, 1981, Selkirk moved with them.
He shot everything he could see, watching the protesters and police clash through the lens of his camera. ‘‘It was anarchy… but I loved it.’’
Operating in the era of film meant he had to return to the office darkroom to develop his protest shots, and wire them to Wellington for publication. ‘‘You always had a good idea of what shots you had captured, you just hoped the film processing didn’t muck up.’’
Selkirk says smartphones have created an age of ‘‘citizen photography’’ for photojournalists to compete against.
Photographer Kevin Stent has captured protests for 25 years and says constantly filing images back to the newsroom can mean missing good shots. ‘‘When they shot in film it meant [picture desks] just had to wait and that was it.’’
The Extinction Rebellion protest provided the type of drama that produces a good photograph, despite being nonviolent.
‘‘Protests these days are pretty tame, but very strategic.’’