The Post

Jack Reacher: Never Go Back (M, 118 mins) Directed by Edward Zwick

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Ifound myself, as I often do at 6.30 on a Wednesday night, in the multiplex, sitting next to one of Wellington’s more venerable film reviewers and broadcaste­rs (he claims to never read anyone else’s reviews, so I can pretty much call him what I like, I guess).

And walking out of Jack Reacher: Never Go Back, he made, as he often does, a good point.

‘‘The bloke who wrote those books must have grown up watching the same TV programmes as me,’’ he said.

I shot him my trademark uncomprehe­nding frown.

‘‘In the 60s, the TV was full of shows about these strange men who drifted into town, sorted out some problem, and then buggered off, generally leaving at least one woman yearning for him. There were dozens of the bloody things.’’ He’s right too. I may be a TV generation younger than my filmwatchi­ng mate, but I’m at least old enough to have some dim memories of re-runs of The Lone Ranger (Tonto notwithsta­nding), Kung Fu and God knows how many other shows based on exactly this same hoary old riff. It’s a story that’s been doing the rounds since Arthur sent his knights off from the round table. And, credit where it’s due, Reacher’s creator Lee Child has got scarily efficient and seriously rich by being about the best in the business at trotting it out again.

Never Go Back is Child’s 18th Reacher novel. It was released in 2013.

There have been two more since, with another due before Christmas. Child, much like his hero and cash cow, is relentless and extremely well discipline­d.

But whether or not Tom Cruise was ever the right bloke to bring Child’s hero to the big screen... that’s another question completely.

In 2012, the news that Cruise – an actor who barely troubles 170 cm in his little cotton socks – had cast himself to play the ‘‘six-footfive’’ Jack Reacher set the internet ablaze for at least a couple of hilarious days.

Many people – and I have the comments thread to prove it – were just never going to accept Cruise as Reacher, no matter how hard the wee couch-hurdling cultist jumped around and flailed his tiny hands at the chins of the – suspicious­ly diminutive – bad guys. And fair enough too, I suppose. But, with Liam Neeson and Hugh Jackman not available, Stallone and Willis too long in the tooth, Mel Gibson still on the naughty step and the rest of the current stable of leading men either too paunchy, too insubstant­ial, or too busy playing Thor to take on the role, then I have to grudgingly admit that Cruise did alright.

Cruise played Reacher with just enough of a wink and a smile to let us know he was in on the joke, but also enough commitment and physicalit­y to at least make for a credible street fighting avenger and one-man assault team. Jack Reacher went to make a pile of cash. And so now Cruise, in between instalment­s of Mission: Impossible, divorces and whatever the hell it is that Scientolog­ists get up to, has found the time to reunite with Edward Zwick (The Last Samurai) to make another one.

Never Go Back finds Reacher coming to the aid of a woman he has travelled across the US to meet. She is a US Army Major, which was once also Reacher’s rank.

But, she’s got herself caught up in a conspiracy, wrongfully arrested and seriously threatened by a couple of standard-issue bad guys. Further complicati­ng Reacher’s man-alone status is the unexpected appearance of a young woman who might be Reacher’s daughter from a past fling.

It all unfolds as it should, with the dialogue serving mainly to explain to the audience what the team are about to do and why, before heading out for another bout of fisticuffs and bang-bangs. But, in Cobie Smulders (The Avengers) Cruise has at least picked a co-star who can keep his character honest. Many scenes in Never Go Back are basically owned by Smulders, and it’s a credit to Cruise – with his producer’s hat on – that he has let the macho nonsense occasional­ly take a back seat to Smulders’ own ass-kickery. Likewise, Danika Yarosh as the possible daughter.

She thrives in a role that involves a bit more than the helpless victimhood that – say – the Taken films have ever allowed their young women. Jack Reacher: Never Go Back is never going to make anyone’s Top 10 list but it is a likeable waste of a couple of hours with its heart mostly in the right place.

If it wasn’t for a couple of plot holes left gaping towards the end, I might even have found it in my heart to give it a third star. But let’s not get carried away. A bunch of the most entertaini­ng and memorable films I’ve seen in the past year or two have been lowbudget horrors and thrillers.

The genre has long been a sandpit and a proving ground for young directors with a reputation to earn, to make films that show off their pacing, staging and inventiven­ess. But, traditiona­lly, the scripts have been a lot less impressive than the action.

But 2015 and 2016 have been distinguis­hed – for me at least – by a handful of terrifical­ly wellwritte­n and smart-headed shockers.

It Follows, Green Room and Don’t Breathe have all triumphed on tiny budgets. And now, I reckon Under The Shadow can join their ranks and then some. Under The Shadow is set in Tehran in 1988. The long war between Iran and Iraq is nearing its end game. Tehran is under daily missile attack and most of the residents of the city have fled. But in a smart city apartment, a young mother and her six-year-old daughter are trapped by something that might be an ancient malevolenc­e, or might just be a delusion brought on by weeks of terror and anxiety. But if the Djinn that is haunting their nightmares is only a figment of the imaginatio­n, then in whose imaginatio­n was it born; the mother’s or the daughter’s? Under The Shadows is a film with plenty on its mind. Whether you pay your money for its blunt and effective allegory of sexual politics, for the note-perfect realist drama that forms the film’s first act, or for the chilling and effective scares that director Babak Anvari weaves through its brief running time, I doubt anyone will leave the theatre feeling short-changed.

Under The Shadow is easily the cleverest film I’ve seen in the past month. - Graeme Tuckett

Cruise played Reacher with just enough of a wink and a smile to let us know he was in on the joke.

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