The New Zealand Herald

Theatre’s shining lights take a bow

Achievemen­t gong for retiring festival director among night’s major nods

- Dionne Christian

Top accolades have been handed out to Auckland’s best and brightest theatremak­ers. The annual Auckland Theatre Awards, now in their eighth year, were held this week in front of around 350 members of the region’s theatre community, including Antonia Prebble and Jennifer Ward-Lealand. Actor and comedian Kura Forrester hosted the event, which included skits, songs and — of course — awards.

Winners included retiring Auckland Arts Festival director Carla van Zon who received a Lifetime Achievemen­t award and Lester McGrath, Auckland Theatre Company’s general manager who was recognised for entreprene­urial achievemen­t for his leadership in making the ASB Waterfront Theatre a reality.

As well van Zon and McGrath, other Excellence Award winners were: Morgana O’Reilly for her performanc­e as Vanda Jordan in Venus in Fur; Te Po, That Bloody Woman, The White Guitar, Don Juan and Potato Stamp Megalomani­ac for best overall production­s; Anapela Polataivao for her direction of Wild Dogs Under My Skirts; Jennifer Ludlam for her portrayal of Arthur in Boys Will be Boys and Andrew Foster, recognised for his set designs for Te Po, To Kill a Mockingbir­d, Defending the J.J. Mac, Thomus and Vernon God Little.

Best newcomers were also rewarded with producer Nicky Vella, stage manager and producer Natasha Hoyland and actor Tim Earl receiving accolades.

The awards are a mix of the formally judged Excellence Awards, decided on by a four-strong panel of theatre commentato­rs and industry insiders, and People’s Choice Awards voted on by the public.

The latter tend to be more light- hearted and included the following: The HACKMAN Cup for Most Original Production: Valerie, Last Tapes Theatre Company Mangere Arts Centre Award for Best Ensemble: Don Juan, A Slightly Isolated Dog The Auckland Actors Award for Best Death: Lucy Suttor in Close City The Elephant Publicity Award for Best Poster: Mia Blonde in Ice Dagger, Dynamotion The Gail Cowan Award for Best Viral Marketing Campaign: Nic Sampson Has Fallen Down a Well

The TAPAC Award for Best Entrance: Stephen Butterwort­h, Twelfth Night The Equity New Zealand Award for Best Show by Emerging Artists: Macbeth, Black Friars The Playmarket Award for Best

line in a Kiwi Play: “I’ve put my back out at the gym.” “Lifting weights?” “No ribbon work” from the show Camping. The Johnson & Laird Management Award for Best Accent: The Michaels, Billys and Debbies of Billy Elliot the Musical The APRA Award for Best Music/ Sound Design: Te Aihe Butler for White/Other

The Inside Out Production­s Award for Most Innovative Set: Flaps The Action Actors Award Best Portrayal of a Real Job: Jennifer Ludlam in Boys will be Boys The Actors Program Award for Best Nudity: Sam Snedden in Perplex The Sharu Loves Hats Award for Best Pash: Milky Bits cast and Laptops The Pantograph Punch Award for Best Critic: Sam Brooks The Tour-Makers Award for Travelling Hero: Riding in Cars with (Mostly Straight) Boys The Philips Selecon Award for Best Lighting: Rachel Marlow for Boys will be Boys.

 ??  ?? Esther Stephens as Kate Sheppard in That Bloody Woman which won an excellence award at this year’s Auckland Theatre Awards.
Esther Stephens as Kate Sheppard in That Bloody Woman which won an excellence award at this year’s Auckland Theatre Awards.

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