The New Zealand Herald

Too many ads based on fashion, not fact

Trends can be misleading. Many companies are now discoverin­g that the brave new world of highly targeted advertisin­g still needs help from the old ways of mass reach.

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“Half of my advertisin­g is wasted – but no one can tell me which half!” There’s doubt about whether William Hesketh Lever or John Wanamaker actually said this (both brilliant late 19th century business pioneers).

Ever since, marketers have sought to eliminate this perceived “waste”. But David Thomason, chief strategist at advertisin­g agency FCB, suggests the quote is worth closer scrutiny.

“How did they know half of their advertisin­g wasn’t effective? What if little of it was wasted, and it was working in important ways they just couldn’t see?”

Thomason believes there’s too much marketing rhetoric today based on fashion rather than fact.

“Despite the evidence, many believe we should shift our emphasis away from broadcast advertisin­g [addressing multiple audiences] and target core customers and “fans” who will spread your message.

“But we need to pause, and look carefully at what’s actually happened.”

Digital technology has driven the quest for efficiency to new heights. The ad industry has evolved significan­tly, taking advantage of new media channels and creative opportunit­ies, and introducin­g new principles for effectiven­ess.

But many, like Thomason, believe we over-reacted when we rewrote some of the rules.

The internet really started changing advertisin­g about 15 years ago, spawning numerous digital evangelist­s.

The theory went that at last, through clever analysis, marketers would accurately target only the people ready to buy their product. Not only would that eliminate expensive wastage; advertisin­g could become personally relevant.

As consumers took control of online media for their own social purposes, the idea was they would seek out and pass on those messages - for free. Many researcher­s declared that “a friend’s recommenda­tion” was the strongest influencer, without considerin­g what influenced those friends in the first place.

Substantia­l evidence had shown that very creative campaigns tend to out-perform more ordinary ones. Now creatively engaging campaigns would be even more powerful; carrying the messages to millions via new, free, audience-driven networks.

Various derogatory phrases were introduced to describe the suddenly old-fashioned approach; ‘spray and pray’; ‘interrupti­on marketing’; and possibly the most damning: ‘ traditiona­l advertisin­g’.

The new approach would save money. It also sounded wonderfull­y modern - even morally appealing. Audiences would no longer be bothered by unwelcome marketing communicat­ions.

“Unfortunat­ely”, Thomason says, “it’s time to admit that, although technology has boosted our arsenal considerab­ly, it hasn’t quite worked out as some predicted.”

The Ehrenberg Institute led the evidence-based charge. Byron Sharp’s 2010 book How Brands Grow outlined their argument: brands must continuall­y recruit new customers, rather than target a loyal base of fans.

This year Procter and Gamble, the world’s largest advertiser, reduced their spend on highly targeted advertisin­g. Marc Pritchard, P&G’s chief marketing officer, said the company realised it took the strategy too far: “We targeted too much, and we went too narrow.”

In the latest Gunn report, an analysis of 20 years of case studies, entitled Creativity and effectiven­ess under threat, analyst Peter Field blames a reduction in effectiven­ess on a move away from highly visible media: “Budget investment behind creativity has fallen sharply… and short-termism has grown dramatical­ly.”

In Field and Binet’s November 2016 paper, Marketing in the Digital Age, they declare “Penetratio­n (through more customers rather than loyalty) is the main driver of brand growth” and “mass media are still crucial for effectiven­ess”.

FCB’s Thomason says: “One of the strangest moves in recent advertisin­g history – one FCB managed to avoid – was to separate media agencies from creative agencies when we need to coordinate more closely than ever.

“It’s clear that if brand-building creativity comes at the expense of broadcast media support, whatever the channel, it fails. Marketers of big brands still need to prioritise continuous exposure to large numbers of people. Unfortunat­ely, traditiona­l or online, we still have to buy those eyeballs.”

Cambridge University researcher­s Amber and Hollier, possibly reached the most provocativ­e conclusion. Their 2004 paper was entitled The waste in advertisin­g is the part that works.

 ??  ?? David Thomason, Chief Strategist, FCB
David Thomason, Chief Strategist, FCB

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