The New Zealand Herald

Thrones more than just great TV

Beyond show’s visceral appeal are qualities shared with other stories that meet deeper psychologi­cal needs

- Tom van Laer Tom van Laer is a senior lecturer in marketing, City, University of London.

Gstory has been transferre­d to Game of Thrones where the two main competing houses are known as Lannister and Stark.

Making sense of the world is something all humans need and do. As American scholar Athinodoro­s Chronis wrote, visitors to places such as the American Civil War battlefiel­d at Gettysburg turn what are essentiall­y commercial tourist sites into personal experience­s by filling in the gaps in their knowledge, and using their imaginatio­n to immerse themselves in the story of the past. So it is with Game of Thrones and the Wars of the Roses. We learn that problems of social and financial inequality combined with the mental infirmity and ineffectiv­e and weak rule of political leaders can cause conflict, power struggles, and fighting.

the inner world

People use stories to make sense of individual experience­s. For example, some people watch Game of Thrones because they can relate to the battle between good and evil being fought chiefly in the individual human heart of Tyrion Lannister, instead of between heroic elves and evil orcs in, say, Lord of the Rings.

Similarly, other people particular­ly enjoy Game of Thrones because they feel a personal stake when another character dies. Hodor, body servant to young Bran Stark, was not a major character but he was beloved for his gentleness. Though his master would ultimately cause his demise, Hodor stuck with him loyally until death. We all need a Hodor in our lives.

the outer world

Needing to investigat­e the outer world reflects the human need to understand not only our own beliefs, desires, intentions, and perspectiv­es but to appreciate that other people’s are different from one’s own. Some people take this seriously enough to visit locations from Game of Thrones such as Dubrovnik in Croatia, whose walls were used for scenes in King’s Landing and the Red Keep. Travelling to such locations turns Game of Thrones into a personal event that becomes a discovery.

the inner world

Another need for narrative is to break away from daily life. As such, Game of Thrones is effective whenever you just do not want to think about your things anymore.

One 39-year-old French woman we interviewe­d was struggling to overcome alcoholism. She escaped from her urges by binge-watching horror films, replacing one addiction with another. In the end, escapism is about putting your issues aside and keeping them for later. As a result, they do not get resolved.

after a lonely self

At other times, people use stories to improve personal resources and heal their suffering selves, including coping with profound sorrow, embarrassm­ent, and guilt.

In Game of Thrones, Arya Stark’s migration to Essos is an example of a way to cope with loneliness — her story is a reminder that there are people out there having it harder than you. Or perhaps Tyrion’s similar life events and emotions can make you think you are not to blame for the mess the world is in.

Game of Thrones is the perfect metaphor for where we stand as a society. Our time is a challengin­g time. Winter may be coming but that is an opportunit­y to show how strong we are because — like the house of Stark — we are best when challenged. Stories empower people to selfprescr­ibe narrative therapy. Not only do we know which stories we like — but we also know which narrative we need to escape from reality as well as transform it.

 ??  ?? Fans who associate with Sansa Stark (Sophie Turner) can reflect on her experience­s for insights into their own lives.
Fans who associate with Sansa Stark (Sophie Turner) can reflect on her experience­s for insights into their own lives.
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