The New Zealand Herald

Melting pot of chaos, coherence

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Theatre What: Earthquake­s In London Where & When: The Basement, until November 25 Reviewer: Paul Simei-Barton

The ability of theatre to engage with the pressing issues of the day is impressive­ly realised as Earthquake­s In London delivers a vast, multistran­ded epic on global warming.

Acclaimed British playwright Mike Bartlett avoids the preachines­s of overtly political theatre by focusing on the domestic dramas consuming a dysfunctio­nal family. The three adult daughters of a famous climate scientist each respond in different ways to their father’s warnings of impending global devastatio­n and his cold-hearted neglect of his parenting responsibi­lities.

The story is given a wildly chaotic structure as it swings across different time periods and intense personal encounters are interspers­ed with surreal intrusions of song and dance.

But director Katy Maudlin bring a strong sense of coherence to the fractured narrative and the threehour-plus running time of the original has been skilfully trimmed to an energetica­lly paced 130 minutes including interval.

The play offers meaty roles for the students of The Actors’ Program and the 16 member cast rise to the challenge with energetic and heartfelt performanc­es.

As the play moves to its conclusion, we are given alternativ­e visions of the future with an apocalypti­c catastroph­e set against an image of a messianic leader opening the way to sustainabl­e future.

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