The New Zealand Herald

How ‘toon actor found his voice(s)

Playing mouthpiece for animated characters brings rewards

- Lyn Elber

A conversati­on with veteran voiceactor Rob Paulsen includes happy interrupti­ons by Pinky, Ninja Turtles and even a touch of David Tennant. Paulsen’s creativity and fluid ability to shift pitch, cadence and accents have earned him steady work since he decided to put animated roles ahead of on-screen performanc­e. “What one finds pretty quickly is there are a million average-looking white kids with SAG (Screen Actors Guild) cards,” Paulsen said, recalling his early years as a Hollywood industry job-seeker. In the decades since, he’s enlivened more than 2500 episodes of animated TV series, including

Animaniacs (voicing Pinky, Yakko Warner and Dr Otto Scratchans­niff), spinoff Pinky and the Brain and Teenage Mutant Ninja Turtles (Raphael in the 1980s, Donatello in Nickelodeo­n’s recent series). Paulsen has won an Emmy and multiple Annie Awards, which recognise achievemen­t in animation. He faced his biggest hurdle in 2016: Throat cancer that required radiation and chemothera­py left him nearly 23kg lighter. But he’s back in full voice — squeals, shouts and singing included — and, in a shift, is voice director of another TV incarnatio­n of

Ninja Turtles, coming next year. The Detroit native spoke with The Associated Press.

Associated Press:

Was it difficult to focus on voiceover on-screen roles when you were getting both?

Paulsen:

I was doing a lot of on-camera work and (fellow voice and screen actor) Alan Oppenheime­r said, “Young man, you’re going to have to make a decision about what you want to do. If I were you, I would really look at this voice-acting thing” . . . I’m so grateful I chose to jump with both feet into the voice talent pool. Here I am at 60, I just finished five solid years of the latest iteration of Ninja

Turtles on Nickelodeo­n . . . and not one person gave a damn about how old I am.

AP:

Do you ever resent yielding turf to actors who get TV and film voiceactin­g jobs, such as Alec Baldwin in The Boss Baby?

Paulsen:

If you’re a producer and you feel that having Brad Pitt be the talking chicken in your next movie (is right), hey man, it’s your dime. I totally get it. I don’t get bent out of shape over celebrity talent doing it.

AP:

What skills does voice-acting require?

Paulsen:

For me, it’s about not being selfconsci­ous, in the literal sense. I found the best voice actors are like that. One of my heroes, Jonathan Winters, seemed to be like that from birth. Part of his genius, also Robin Williams to be sure, was their madness. But it was their utter disregard for whether or not people thought they were weird or nutty or odd. That is precisely what is necessary to be a good voice actor.

AP:

How did you face the cancer crisis that so directly threatened your work?

Paulsen:

I never once had a moment where I said, “Oh, no, I’m a voice actor. Why me?” It’s not because I’m super brave. It’s because I’ve had the incredible good fortune to speak to hundreds of children and their parents as the character that a little boy or girl is a fan of while they’re going through treatment for illness. I’m so grateful to have the opportunit­y.

 ?? Picture / AP ?? Rob Paulsen is best known for his work on animated series and is content with his career choice.
Picture / AP Rob Paulsen is best known for his work on animated series and is content with his career choice.

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