The New Zealand Herald

AMERICAN ANIMALS

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Cast: Evan Peters, Barry Keoghan, Blake Jenner

Director: Bart Layton

Running Time: 116 mins

Rating: R13 (Violence, drug use and offensive language)

Verdict: Melds fiction and truth, memory and subjectivi­ty, in fascinatin­g and complex ways.

WHAT INITIALLY

appears to be a slight, if entertaini­ng, true-crime heist romp, in fact, hides untold depths in a muscular offering from The Imposter director Bart Layton.

Using a similar approach to that remarkable documentar­y, Layton melds true-life accounts from the subjects involved with exquisitel­y mounted, cinematic recreation­s.

American Animals tells the story of four bored, affluent college boys in Kentucky, who plot to rob their university’s library for its priceless artwork, despite not really knowing anything about bank-robbing or selling art on the black market.

The eventual outcome of the story isn’t hard to foresee, but it somehow manages to ramp up the tension in a series of queasily pulsepound­ing sequences to keep audiences guessing, as the boys get dangerousl­y close to pulling off their mission.

The film employs its documentar­y-ish style to compelling­ly warp audience expectatio­ns about the veracity of much of what is shown on screen. It invests in its recreation­s — employing a stellar cast (including Evan Peters and Barry Keoghan as the mastermind­s behind the heist), and using evocative camerawork throughout to add wonderful grace notes to what could easily have been an afterthoug­ht in the hands of less accomplish­ed filmmakers.

This pays off most significan­tly in the gangbuster­s heist sequence, which succeeds in being blistering­ly intense even when we’ve already been told roughly what will happen to the subjects involved.

What is most impressive about the film is what it has to say about truth, believing what we see and what we’re told by those in a place of authority.

As a film-maker, Layton has establishe­d a startling ability to pull the rug out from under viewers, subverting and twisting our expectatio­ns and our understand­ing.

Sometimes a great story well told isn’t necessaril­y the real story — and American Animals is strangerth­an-fiction in every sense.

Tom Augustine

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