The New Zealand Herald

Pop queens must bow to original diva

Deliciousl­y sensuous portrait of opera superstar Callas

- Ann Hornaday

For anyone going through withdrawal after seeing Bohemian Rhapsody, may I present for your considerat­ion Maria by Callas? In this immersive, often deliciousl­y sensuous documentar­y portrait of the late opera star Maria Callas, viewers are treated to another rise-and-fall story of a great but tortured artist, this one punctuated by the occasional real-life bed of roses and pleasure cruise.

For those too young to know who Callas was, YouTube or Wikipedia will bring you up to speed: Long before Luciano Pavarotti and Pla´ cido Domingo, she was that rare opera singer who was also a household name, as famous for her beauty and glamour as for her tonal range and lyrical interpreti­ve skills.

To observe New York-born Callas arriving in Rome, Milan, Paris or New York in a cloud of furs, flowers, poodles and pearls is to understand the fundamenta­ls of diva style, imitated but never equalled by Madonna, Rihanna and Lady Gaga.

Callas’ command of her own persona is on regal, extravagan­t display in Tom Volf’s film, in which the director uses her own words — from letters, diary entries, interviews and her memoirs — to narrate

To observe Callas arriving in Rome, Milan, Paris or New York in a cloud of furs, flowers, poodles and pearls is to understand the fundamenta­ls of diva style.

ravishing, rarely seen images, including some of her most famous (and notorious) performanc­es, and candid footage of costume fittings and home movies.

What emerges is a portrait of a woman of extraordin­ary natural gifts, who was pressured to become a superstar by her mother and then her husband.

“Destiny is destiny,” she says resignedly at one point. “There’s no way out.”

When she falls ill and cancels performanc­es, or is fired from the Metropolit­an Opera because of conflicts with its director, the viewer wonders if it’s not her way of retreating from a profession she never truly chose.

Callas finally finds true love — if not the convention­al domestic bliss she craves — when she meets Aristotle Onassis, with whom she carried on a legendary love affair until he met Jacqueline Kennedy.

That triangle forms some of the most compelling material in Maria by Callas, which is at its best when it simply watches her sing and, in her words, try “to reach those heavens where it’s all perfect harmony”.

 ?? Photo / GAB Archive ?? Maria Callas’ command of her own persona is on regal display in Tom Volf’s documentar­y.
Photo / GAB Archive Maria Callas’ command of her own persona is on regal display in Tom Volf’s documentar­y.

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