The New Zealand Herald

CAN YOU EVER FORGIVE ME

- Francesca Rudkin

Cast: Melissa McCarthy, Richard E. Grant

Director: Marielle Heller

Running Time: 106 mins

Rating: M (Offensive language, sexual references & drug use)

Verdict: A well-acted fascinatin­g story.

OSCAR BUZZ is building around Melissa McCarthy’s performanc­e in this drama based on author Lee Israel’s memoir.

Well known for her comedic work (Mike and Molly, Spy and

Bridesmaid­s), the role of Israel is a step in a serious direction for McCarthy. She may not seem the

obvious choice (Julianne Moore was supposedly attached to this film earlier) but by the time you leave the cinema you can’t imagine anyone else doing so well.

She manages to bring gentle humour to an acerbic, antisocial and alcoholic character. Israel — who always spoke directly and wouldn’t have minded me saying — isn’t a terribly nice person or in a great place when we meet her. McCarthy manages to present a personalit­y we sympathise with and can rally around.

Israel, who passed away in 2014, received a decent amount of success as an author in the 70s and 80s with biographie­s about journalist Dorothy Kilgallen and actress Tallulah Bankhead. She then tanked her career by refusing to take her agent’s advice or publicise her books in a way which would help rather than hinder sales.

Broke and unable to get anyone to take her calls, Israel stumbles across a scam to write letters by well-known authors Dorothy Parker and playwright Noel Coward, and sell them as authentic originals.

As Israel tells the judge at her sentencing for fraud later on, it was some of her best work.

Israel is assisted in her life of crime by newfound friend Jack (Grant). Grant is also perfectly cast as the gay, charming and lovable rogue struggling to survive in New York in the early 90s.

It’s worth noting that not only has director Marielle Heller cast her film well, she’s also captured the time and place with wonderful authentici­ty.

This is a neat little film bringing to light Israel’s fascinatin­g story, with excellent performanc­es making it an enjoyable literary romp.

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