The New Zealand Herald

Art meets science in lightfest

- Dionne Christian arts

When Joseph Michael became an artist nearly two decades ago, the tools of his trade included paper, ink and screens for printmakin­g; today, he’s more likely to use ground-penetratin­g radar, drones and immersive augmented reality.

Michael is on the cutting edge of art and science, perhaps best known for his 2017 full-scale 360-degree projection Antarctica: While you

were Sleeping, which enveloped the outside of Auckland War Memorial Museum with images of icebergs complete with surround sound of the loud noises that they make.

Time spent working on films like The Hobbit honed his skill for combining art, science and technology.

Now he is set to dazzle crowds at Auckland’s new light festival, Tu¯ rama, starting on Friday.

The current AUT artist in residence, Michael and a team have created Ho¯ para, which could well be the most immersive walk in the woods many of us will take.

Filmed at Waipoua Forest in Northland, it is the first life-sized digital reconstruc­tion of New Zealand’s largest-known living kauri tree, Ta¯ ne Mahuta, and other significan­t kauri in the area.

A dual screen sequence allows audiences to explore the hidden depths of the trees by using point cloud scan data imagery from them to create art works that are then illuminate­d with swathes of colour and light.

“I use the technology which is available to serve an idea,” says Michael, adding that print-making tuition served him well in teaching him how to layer colour.

“I still think about that as well as, when I was a teenager, visiting the Waipoua Forest and being stunned by the size and magnificen­ce of the trees. That’s where the seeds of this project were sown.”

Michael is working with AUT associate professor Barbara Bollard, from the School of Applied Science, Te Roroa iwi, the Department of Conservati­on, Radio NZ and Creative NZ on the ambitious project.

It may eventually involve using groundpene­trating radar to explore the trees’ root systems because, as Michael says, what’s above the ground is only one part of the trees.

The boundary-pushing work will also provide a digital archive of the significan­t cultural and historical heritage sites.

“It’s an exciting opportunit­y to expand our knowledge of one of NZ’s most treasured species.

“We need to think deeper and understand the consequenc­es of our actions towards the natural environmen­t,” says Michael, who hopes seeing the trees as art will draw more attention to the threats they face from kauri dieback disease and climate change.

As well as preparing for Tu¯ rama, Michael has also spent time at the United Nations Building in New York.

On the eve of September’s Climate Action Summit, his large-scale projection­s of an iceberg will cover the exterior of the building complement­ed by a soundtrack featuring traditiona­l Ma¯ ori instrument­s (taonga pu¯ oro).

● Tu¯ rama is at Albert Park, in Auckland’s inner-city, from Friday to Sunday.

A free festival, it features light installati­ons, stories told through projection, interactiv­e sculptures and performanc­es.

Joseph Michael also gives a public lecture about his work at AUT on Tuesday, August

6.

 ??  ?? Joseph Michael says a visit to Waipoua Forest sowed the seeds for his work at Tu¯ rama.
Joseph Michael says a visit to Waipoua Forest sowed the seeds for his work at Tu¯ rama.

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