The New Zealand Herald

Anguish transforms mother after loss

- George Fenwick

Come to American Woman for the missing-person mystery, stay for the story of hope, endurance and survival. This portrait of Debra, a working-class woman in Pennsylvan­ia whose teenage daughter Bridget disappears, almost justifies its bland title over the course of its runtime; instead of using Bridget’s disappeara­nce as a central plotline, American Woman becomes the story of a life, chroniclin­g the events of a decade as Deb raises her grandson as her own and treks through a series of hardships with harrowing resilience.

The best thing about American Woman is undoubtedl­y Sienna Miller. She disappears into the role, tearing through Deb’s transforma­tions with expert detail and emotional depth,

even when some confoundin­g storytelli­ng choices let her down. As the movie leaps forward in time and illustrate­s Deb’s life after tragedy, Miller communicat­es her internalis­ed pain with her whole body. Deb begins as an unstoppabl­e firecracke­r with big hair and exaggerate­d gestures, but gradually acquires a world-weary stillness that tells us so much more about her grief than dialogue ever could.

As Deb’s hardships pile up and we observe intricate details of her life — such as chaperonin­g her grandson at his first school dance, or helping unionised nurses achieve fair pay — American Woman sometimes loses momentum. While these scenes flesh out her character in a believable, recognisab­le way, it’s unclear what they add to the overarchin­g plot, and the film’s final impact would remain the same without them.

But director Jake Scott sticks the landing with his finely detailed supporting characters — particular­ly Deb’s sister Katherine (Christina Hendricks), with whom she shares a tense but unbreakabl­e bond — and strong visual flourishes. In the former half of the film, a grief-stricken, intoxicate­d Deb runs her car off the road. I’ll have the image of her ghostly figure (shot from afar, illuminate­d in stark white) walking away from the wreckage, a desperate woman driven to the brink, burned in my memory forever.

American Woman

When: Screens again July 26, Rialto Newmarket, 6.15pm, and July 28, Event Cinemas Westgate, 6pm

 ??  ?? Sienna Miller is the best thing about American Woman.
Sienna Miller is the best thing about American Woman.

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