The New Zealand Herald

Telling stories of the missing

Playwright gives account of those who died on the Mendi in 1917

- Dionne Christian A Man of Good Hope.

There were maps of Europe; numerous copies of US maps and a few world ones but none of Africa. If it were a small rural bookstore in, say, a Southern US town or a backwater English village it might not be surprising but this was Cape Town in Africa itself.

Mark Dornford-May, co-founder and artistic director of South African musical theatre company Isango Ensemble, uses the story to show how Africa and the richness of its people and their stories is often missing. Even in Africa.

“Here we were making a show [A Man of Good Hope, which played in Auckland this year] about one man’s journey through Africa and we couldn’t even find a map in Africa of the African continent.”

So, says Dornford-May, it’s not surprising that until a couple of years ago he and the company’s performers, mainly from townships surroundin­g Cape Town, had never heard of the 1917 sinking of the SS Mendi killing 646, mainly African, men from the 5th Battalion, South African Native Labour Corps.

But their story is now the basis for Isango’s latest production, SS Mendi:

Dancing the Death Drill which helps to open the spectacula­r Brisbane Festival next week before travelling to North America for performanc­es. It has extra poignancy for Isango given the men would have camped then set sail just a mile or two from the company’s base: “They would have seen the same church we look out over now.”

Dornford-May describes it as a story of Empire, one of many that have perhaps been convenient­ly forgotten about who counts and who doesn’t, made more significan­t not by the sinking itself but the reaction to it. Moving through thick fog in the English Channel early on February 21

and escorted by the destroyer HMS Brisk, the Mendi was accidental­ly rammed by the cargo ship Darro. She was en route to France to deliver men who “support” Allied forces fighting there. The Darro, twice Mendi’s size, was damaged but not to the extent it would have stopped her master, Henry W. Stump, to order lifeboats lowered to help rescue those overboard.

“And because they were from all over South Africa, many of them from the highlands and inland areas, few of them could swim,” says DornfordMa­y. “Besides, the water would have been freezing at that time of year.”

Survivors said interprete­r and former church minister Isaac Wauchope Dyobha calmed the men by forming them into ranks, raising his arms heavenward and proclaimin­g: “Be quiet and calm, my countrymen. What is happening now is what you came to do . . . you are going to die, but that is what you came to do. Brothers, we are drilling the death drill. I, a Xhosa, say you are my brothers . . . Swazis, Pondos, Basotho

. . . so let us die like brothers. We are the sons of Africa. Raise your warcries, brothers, for though they made us leave our assegais in the kraal, our voices are left with our bodies.”

While the Brisk’s lifeboats were lowered, Stump did not respond for four hours meaning many of those who drowned could have been saved. A formal hearing found him guilty of having travelled at dangerousl­y high speed in thick fog and of failing to emit fog sound signals but it not delve into why he was reluctant to join rescue attempts. His licence was suspended for a year.

In South Africa, the incident became a symbol of racism and inequality but apartheid government­s stymied wider talk about it until the mid-1990s. Dornford-May found the story through a book, by noted South African writer Fred Khumalo, recommende­d by a friend.

“When I read the story and shared it with the cast, everyone reacted with a sense of resignatio­n that it’s part of the history of the world that doesn’t get talked about or examined but agreed it’s worth telling,” he says. “It makes people think but it also makes other people, those whose stories aren’t told, feel that they actually count, that they’re part of this world.”

It’s too early to say if the musical will visit Auckland, but Dornford-May is keen given the reception we gave

The Brisbane Festival opens on Friday, September 6, and includes 85 theatre, music, dance, cabaret and circus, family and special events until Saturday, September 28.

 ??  ?? A scene from Dancing the Death Drill, which tells the harrowing story of the sinking of the SS Mendi and the subsequent thwarted rescue.
A scene from Dancing the Death Drill, which tells the harrowing story of the sinking of the SS Mendi and the subsequent thwarted rescue.

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