AMAZING GRACE
Director: Sydney Pollack and Alan Elliott
Cast: Aretha Franklin, Alexander Hamilton, Clara Ward
Running time: 87 mins
Rating: G
Verdict: A spiritually charged experience that gets five amens.
ARCHIVAL FOOTAGE
documentaries are knocking it out of the park at the moment. And if last week’s technically dazzling Apollo 11 took you to the moon and back, then Amazing
Grace will do the same with a cinematically enthralling, spiritually charged presentation of a titanic talent.
In 1972 Aretha Franklin returned to her roots and graced the pulpit of the New Temple Missionary Baptist Church in Los Angeles to record her gospel album, Amazing
Grace. Standing beneath a giant mural of Jesus (looking every inch a Californian surfer dude) and backed by the Southern California Community Choir, Franklin belts out an array of gospel songs to an enraptured congregation — the footage of which is almost an other-worldly experience.
The late director Sydney Pollack
(Out of Africa, Tootsie) was tasked with recording the show for later release. Unfortunately, it became an incomplete project, and while Franklin’s album went on to be the biggest selling gospel album of all time, Pollack’s footage was separated from its soundtrack and lay dormant for decades.
Thankfully, director Alan Elliott has taken the reins of Pollack’s wandering horse and led it back to water. And drink deeply from the spiritual well this final film does. Raw and shambolic in appearance, the film’s imperfections only serve to enrich and highlight Franklin’s jaw-dropping vocals. It captures a sense of dignity and authenticity to her performance that peaks at the film’s titular centrepiece — a sweaty, focused and transcendent rendition of Amazing Grace that is tearfully received by the congregation and backing performers alike.
Pollack looks like someone who has found the winning lottery ticket as he joyously, but frantically, gestures his crew to point their camera to this once-in-a-lifetime performance and then offstage to an audience that can no longer contain themselves (Mick Jagger included). It’s impossible not to get caught up in the emotion of it all. If this film doesn’t move you, you might want to check your pulse.