Netflix, No 1 and The Algorithm blues
No thanks, the last thing we need is a dodgy ranking system
Acouple of days ago Netflix very loudly and with much ballyhoo introduced a new feature. An initiative that no one asked for or cares about. An idea so meh that it if you were to rank it, you’d have to put it at the bottom of a “Top 10 Most Desired New Netflix Features” list.
Yes, I’m talking about the Netflix Top 10 chart which you’ll now be able to find adding another layer of clutter to your Netflix home screen. Yay? Nah.
You may not notice it at first, which is always a good sign for a new feature. But scroll down past the “Popular on Netflix” bar, roll on by “Trending now” and boom! there it is in all of its non-essential glory.
Why the Popular and Trending scrollbars remain, and why they’re both positioned higher on the menu than the brand spanking new one is a mystery that would leave the great detective Sherlock Holmes furrowing his brow and quizzically asking, “What?” before packing up his pipe and calling it a day.
It makes even less sense when you stop to consider that to earn a spot in the charts a show or movie should need to be both popular and trending. I mean, that just makes sense right?
Maybe I just don’t get it. Maybe
Clive Cussler, the millionselling adventure writer and real-life thrillseeker who wove personal details and spectacular fantasies into his pageturning novels about underwater explorer Dirk Pitt, has died at 88.
Cussler died at his home in Scottsdale, Arizona, said Alexis Welby, spokeswoman for publisher Penguin Random House. The cause was not disclosed.
Cussler dispatched Pitt and pal Al Giordino on exotic missions highlighted by shipwrecks, treachery, espionage and beautiful women, in popular works including Cyclops, Night Probe! and his commercial breakthrough, Raise the Titanic!
Cussler was an Illinois native who was raised in Southern California and lived in Arizona for most of his final years, but he sent Pitt around the globe in plots that ranged from the bold to the incredible.
The Treasure features an aspiring Aztec despot who murders an American envoy, the hijacking of a plane carrying the United Nations secretary-general and soldiers from ancient Rome looting the Library of Alexandria. In Iceberg, the presidents of French Guiana and the Dominican Republic are the ones in danger, during a visit to Disneyland. In Sahara,
a race across the desert somehow leads to new information about the assassination of Abraham Lincoln.
“Again and again, Dirk Pitt, working for the fictional National Underwater and Marine Agency, must find a sunken vessel and retrieve some artifact,” Mark Schone, summarising Cussler’s novels, wrote in The New York Times in 2004. “Evil forces, be they Commies or Blofeldian madmen, try to stop him. Along the way Pitt saves himself, the world and the damsel of the moment.”
Cussler has a new novel, Journey of the Pharaohs, set to be released March 10, with several more awaiting posthumous publication.
In real life, Cussler founded his own National Underwater and Marine Agency and participated in dozens of searches for old ships, including one that turned up a steamship belonging to Cornelius Vanderbilt.
He also had a long history of questionable claims — some admitted, some denied.
“He can definitely spin the tall tales and is a master of fiction. But that doesn’t mean I buy into his alleged discovery claims,” Dr. E. Lee Spence wrote on his blog in 2011. Spence, a prominent underwater archaeologist feuded with Cussler over which of them recovered a Confederate submarine.
Born an only child in 1931 in Aurora, Illinois, and raised in Alhambra, California, Cussler’s name and writing persona have the air of a pseudonym, but he was born with his moniker, named for the British actor Clive Brook. He studied for two years at Pasadena City College before enlisting in the Air Force and serving as a mechanic and flight engineer during the Korean War.
In 1955, he married Barbara Knight, with whom he had three children. Through much of the 1960s, he worked in advertising, as a copywriter and creative director.
In his free time, he was writing fiction and moonlighting at a skindiving equipment shop, where his wife suggested he work to help gather material for his novels.
“When creating advertising, I had always looked at the competition and wondered what I could conceive that was totally different,” Cussler said in
an interview included in Dirk Pitt
Revealed, a non-fiction book released in 1998.
“(James) Bond was becoming incredibly popular through the movies, and I knew I couldn’t match Ian Fleming’s style and prose. So I was determined not to write about a detective, secret agent or undercover investigator or deal in murder mysteries. My hero’s adventures would be based on and under water.”
Cussler finished manuscripts for Mediterranean Caper and Iceberg, but had no literary agent so he created one. He purchased a thousand sheets of blank letter paper, got a friend in advertising to design a logo for The Charles Winthrop Agency and sent his first inquiry to Peter Lampack of the William Morris Agency. Lampack agreed to take on Cussler and remained with him long after the author confessed his charade.
“I told him the story of Charlie Winthrop with great trepidation,” Cussler explained to the Arizona Republic.
“I sat there waiting for the result, and he sat there blank for a minute, and then he laughed himself under the table. And he said, ‘Oh my God. I always thought Charlie Winthrop was some guy I met while I was drunk at a cocktail party’.”
Cussler had claimed his worldwide sales topped 100 million copies, but in a legal battle with Crusader Entertainment, which alleged he had misrepresented his popularity, it was determined the number was closer to 40 million. Cussler’s son is Dirk Cussler. Pitt himself had a son, called, of course, Dirk Pitt jnr.
In addition to Dirk Cussler, the author is survived by his second wife, Janet, daughters Teri and Dayna, four grandchildren and four greatgrandchildren.