Sundance goes virtual
AQuestlove-directed documentary about the other major music event of the summer of 1969 and documentaries about the creators of Sesame Street and the coronavirus pandemic in China are among the 72 feature films debuting at the 2021 Sundance Film Festival.
Organisers have unveiled a robust and diverse slate for the festival, which will be largely virtual due to the pandemic.
The festival will kick off on January 28 with the premieres of Nanfu Wang’s documentary about propaganda and Covid-19 in China, In the Same Breath, and Ahmir “Questlove” Thompson’s Summer of Soul ( . . . Or, When The Revolution Could Not Be Televised) about the forgotten 1969 Harlem Cultural Festival, which celebrated Black music and culture and attracted over 300,000 people.
“We’re starting the festival with a bang for sure,” said Kim Yutani, the festival’s director of programming. “We felt that was important to have something that just really just directly reflects what we have been through this past year.”
“In the Same Breath,” she said, is a “search for the truth. And it is a bold indictment of the response of leadership in China and the US.”
Questlove’s film uses neverbefore-seen footage that had been sitting in a basement for 50 years.
“It’s an incredible debut from a first-time director, a vitally important historical document and it’s a kind of reclaiming of history to reframe the present,” said festival director Tabitha Jackson. “But most important of all for us was just that it’s a stunning watch. It is joyful and vibrant and colourful and socially engaging and so beautifully crafted and put together.”
Opening night will also see the premiere of Sian Heder’s film CODA, about the hearing child of deaf parents, co-starring Marlee Matlin.
“I think it’s going to be one of the big stories out of the festival this year,” Yutani said.
The US section will feature films with Tiffany Haddish and Jerrod Carmichael and Ruth Negga and Tessa Thompson who co-star in
Passing, about two light-skinned Black women who choose to live on opposite sides of the colour line in 1929 New York.
Based on a novella by Nella Larsen,
Passing is the directorial debut of actor Rebecca Hall.
Robin Wright is also making her directorial debut with Land, about a search for meaning in the American wilderness after an “unfathomable event”, starring herself and Demia´n Bichir.
There are high-profile documentaries about The Joy Luck Club author Amy Tan and EGOTwinning actor Rita Moreno. Yutani said the Sesame Street documentary, Street Gang: How We Got To Sesame Street is likely to be a crowd favorite. Edgar Wright has also directed a doco about pop rock duo Sparks.
And there are others that might not have the flashy celebrity subjects but are gems worth checking out. One, Jackson said, is Writing With Fire about India’s only newspaper run by Dalit women, who are breaking traditions and norms to tell the truth about what is happening to women in the country. Another is about the legal trailblazer Pauli Murray, who influenced Ruth Bader Ginsburg and Thurgood Marshall from directors Julie Cohen and Betsy West.
As always, Sundance is a festival of discovery spotlighting new and emerging voices in film. Over half of the feature films this year are from first-time directors and across the 140 total projects, half were directed by one or more women and 51 per cent by one or more artists of colour.
The 2020 Sundance Film Festival was one of the only major festivals to happen before the pandemic hit.
“Other festivals weren’t that lucky and many other filmmakers weren’t as lucky in getting their work buzzed about, written about and seen,” Jackson said. “We deeply feel the responsibility this year of doubling down on our commitment to emerging voices.”
Sundance founder Robert Redford said in a statement that under Jackson’s leadership, “We’ve forged a new collective vision: one that honours the spirit and tradition of these invigorating yearly gatherings in Utah, while making room for imaginative new possibilities in a new online format.”
The festival “going virtual” also opens up the experience to curious audiences who may not have had the time or money to make it out to Park City, which between lodging, food and passes can be expensive.
“Suddenly, people from around the country and around the world can be at Sundance for the first time, be part of that first audience who can talk about this work which will in some ways define the conversation around cinema in the 12 months afterwards,” Jackson said.