The Post

BACKSTREET BONUS

Designing safer laneways

- writes Talia Shadwell.

In the shadows, crime will flourish. So goes the Broken Windows Theory – the concept in criminolog­y invoked to clean up New York’s subways in the 1980s.

It suggests an urban space that appears lawless – dark, full of nooks and crannies, graffiti and debris – will breed petty crimes, such as vandalism or disorder. The fear was a defaced area would, in turn, attract worse crime.

The problem facing New York authoritie­s was turnstile-jumping in the American city’s dark, dingy subways, where even normally law-abiding folk were dashing to avoid paying for tickets.

The Broken Windows Theory’s proponents were consulted to transform New York’s subterrane­an networks – in the hope that if they were brighter and neater, people would no longer feel confident about breaking the rules.

In central Wellington, new bars, restaurant­s, urban art and gardens have sprung up in the city’s back-streets, including Hannah’s Laneway, and Egmont St, over the past two years. The result has drawn comparison­s with Melbourne’s bustling, dining-packed lanes.

However, there’s another practical reason for the $5.5 million investment for laneways in Wellington City Council’s 10-year plan – linking back to the Broken Windows Theory – which police think is starting to bear fruit.

Police say they are starting to see changes to inner-city behaviour since the council’s urban design team began applying Crime Prevention Through Environmen­tal Design (CPTED) principles to Wellington’s redesigned laneways.

CPTED demands areas be well-lit, that users can see clearly what’s ahead of them, that the lines between public and private spaces are obvious, and the space is easily maintained.

Council urban design manager Trudy Whitlow said the laneways were not just about beautifica­tion – they also offered ‘‘passive surveillan­ce’’ – that meant even if there was no-one to be see, an area’s brightness and windows could give the impression wrongdoing could be witnessed, and passers-by would also feel safer.

‘‘People feel like they are being watched.’’

Cable Car Lane’s makeover is under way. Holland St, behind the St James Theatre, Lukes Lane, off Taranaki St, and Swan Lane, between Marion and Cuba streets, are due next.

City neighbourh­ood policing team Constable Matt Barracloug­h said, anecdotall­y, officers were finding people up to no good were avoiding the revitalise­d laneways.

The car park off Egmont St laneway used to be home to loitering, assaults, drinking and vandalism but had become a less frequent stop on the late-night police beat.

‘‘I know I have noticed, myself – and so have other officers. These places that have been done up, like Eva St towards the end of the year, that used to be quite a dark and dingy space that was sort of a regular go-to for us for crime – across drinking harm, disorder, assaults – now that it’s been done up . . . I certainly haven’t noticed the same sort of activity.’’

Barracloug­h said it was possible urban crime was moving elsewhere but he thought the city’s laneway project was making it harder for people up to no good to find nooks to do business in Wellington: ‘‘They tend to steer away from brightly lit places they may be seen in.’’

He hoped to analyse the police crime hotspot maps in 2017 to see whether the laneways were indeed shifting offending.

He suspected the public was more likely to report anti-social behaviour and vandals’ damage in a tidy area, rather than just accepting it as just part of urban scenery.

‘‘Having a spot that people sort of take pride in creates a lot more guardiansh­ip.’’

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 ?? PHOTOS: FAIRFAX NZ ?? New bars, restaurant­s, urban artworks and gardens are boosting the profile of central Wellington’s back-streets, including Hannah’s Laneway (above and below).
PHOTOS: FAIRFAX NZ New bars, restaurant­s, urban artworks and gardens are boosting the profile of central Wellington’s back-streets, including Hannah’s Laneway (above and below).
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