The Post

Bard wrote for blokes, says RSC in rejecting role ‘re-gendering’

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BRITAIN: The Royal Shakespear­e Company will not bow to pressure to enforce 50:50 gender casting, despite featuring an all-female directoria­l lineup for the first time in its history.

Greg Doran, the RSC’s artistic director, has unveiled a raft of production­s for summer 2018 that will have only women at the helm. But he ruled out quotas for female actors on stage, pointing out that ‘‘Shakespear­e was writing for a group of blokes’’.

Polly Findlay is to direct Macbeth as a ‘‘contempora­ry psychologi­cal thriller’’ starring Christophe­r Eccleston in his RSC debut.

Erica Whyman will direct Romeo and Juliet as a tale of ‘‘a generation of young people let down by their parents’’. Fiona Laird, Maria Aberg and Jo Davies complete the lineup.

Doran calls the all-female billing a happy coincidenc­e.

‘‘We didn’t suddenly go, ‘Let’s have them all directed by women’,’’ he said.

‘‘We had reached a point where these women directors had been with us and had grown and developed, and it just so happens that it’s an entirely female-directed season.’’

While Michelle Terry, the artistic director of Shakespear­e’s Globe, has pledged to bring in gender-blind casting and a 50:50 ratio of men and women on stage, the RSC will not follow suit.

‘‘In terms of re-gendering roles, we are looking for balance,’’ Doran said.

‘‘Michelle Terry has made a very bold statement about regenderin­g so that it’s going to be 50:50 right across the board. I don’t want to impose that on directors.

‘‘That would mean we couldn’t do an all-female production, for example.

‘‘I want to keep it much more fluid and organic.

‘‘I’m not going to say we’re going to go 50:50 because, in a way, Shakespear­e was writing for a group of blokes, actually.’’

Terry said last month that her first season would provide ‘‘equal amounts of work for male or female’’ actors.

Her predecesso­r, Emma Rice, set the wheels in motion when she took over in 2016, saying: ‘‘There is no reason why the Duke of Gloucester can’t be a woman.

‘‘If anybody bended gender, it was Shakespear­e, so I think it just takes a change of mindset.’’

 ??  ?? Shakespear­e’s Globe in London has pledged to bring in gender-blind casting and a 50:50 ratio of men and women on stage, but the Royal Shakespear­e Company says it will not be following suit.
Shakespear­e’s Globe in London has pledged to bring in gender-blind casting and a 50:50 ratio of men and women on stage, but the Royal Shakespear­e Company says it will not be following suit.

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