Stunning in parts but may not last the distance
Elliptical Fictions explores many pathways. Inspired by the movement and philosophy of tai chi, choreographer Zahra KilleenChance seeks to reflect and investigate opposing forces such as hard, soft, fast, slow, the seen and the unseen, the yin and yang.
On a bare stage, beautifully lit by the choreographer from the wings, five dancers slowly progress in slow and very focused movement.
Dark, flowing costumes, designed by Killeen-Chance and the AUT Textile Design faculty, echo the choreography’s fluidity.
Integral to the work are the stunning video projections of acclaimed visual artist Richard Killeen.
Emi Pogoni’s outstanding sound score, with its drone-like insistency, perfectly complements the choreography. And although there is movement build throughout the work, the music does imply a greater climax than is actually delivered.
However, the choreography’s slow pace and repetitive quality, while meditative and at times hypnotic, does not fully sustain its 30-minute length. It is nevertheless bold and innovative programming by Footnote’s artistic director, Richard Aindow.
In spite of the Rumi-esque title (A snail watches dust particles in sunlight), you could be forgiven for thinking you were back in the 1970s. There’s certainly enough hair here and nudity, although why the latter is anybody’s guess.
Choreographers James O’Hara and Eliza Sanders’ work, although lightweight, is easy on the eye and is danced with great alacrity and connection by all the cast.
As artists, the choreographers are constantly on the move. This work explores the idea of ‘‘home’’ being both within and outside oneself. Nadia Reid’s beautiful voice and soulful lyrics are a great asset, while equally cool and ontrend are Kowtow’s youthful costume designs.
Choreographically it resembles a snail’s shell, with movement motifs spiralling round and back on themselves throughout. But the constant repetition of these spirals wears thin. Parts of the work seem to be improvised.
Very much of its time, and very well danced by its tireless cast, but unlike Rumi, the 12th-century Persian poet, I doubt this work will last the distance.