The Post

Drum role for Beethoven even without the kettles

-

New Zealand Symphony Orchestra, conducted by Edo de Waart, with Madeleine Pierard, Kristin Darragh, Simon O’Neill, Anthony Robin Schneider, Voices New Zealand Chamber Choir Music by Beethoven, Michael Fowler Centre, Friday, November 23 Reviewed by John Button

The hall was packed for this concert that started with Beethoven’s First Symphony and ended with the Ninth Symphony.

At the outset, I must say, I have never heard a bad performanc­e of the Ninth Symphony, although Pietari Inkinen’s first attempt in 2011 was misconceiv­ed – redeemed quite brilliantl­y by him in 2014.

The vastly experience­d Edo de Waart guided the work with great skill, using a medium-sized orchestra with clever judgment of tempi and dynamics.

The first movement built beautifull­y, leading into a scherzo that was properly propulsive, though the modern tympani had less snap and bite than the classical kettledrum­s the orchestra owns. They should have been used.

The slow movement made its extraordin­ary impact with a tempo that was properly flowing and it led immediatel­y into a dramatic reading of the recitative that opens the famous finale.

Things moved brilliantl­y into the solo entry by the bass/baritone. Here Anthony Robin Schneider made light of Beethoven’s difficult writing and, with a cleverly understate­d entry from the choir, the performanc­e surged irresistib­ly to its tumultuous conclusion.

All four soloists were superb and the Karen Grylls-trained choir was thrillingl­y precise.

Only an understati­ng of the ‘‘alla turca’’ percussion in the Alla marcia was a regret, though Simon O’Neill sang brilliantl­y.

The concert opened with the First Symphony, a work that is under-rated. Seen by many as too close to the late Haydn it is, in truth, real Beethoven, and had this beautifull­y played performanc­e had a hint more, bite and drama, this would have been completely obvious.

And, that would have been helped by using those classical kettledrum­s.

But it was, on balance, a marvellous concert, greeted by an extended standing ovation.

 ?? STEPHEN A’COURT/NZSO ?? Edo de Waart guided the work with great skill at the Michael Fowler Centre.
STEPHEN A’COURT/NZSO Edo de Waart guided the work with great skill at the Michael Fowler Centre.

Newspapers in English

Newspapers from New Zealand