The Post

The year’s best movies an eclectic mix of

- James Croot james.croot@stuff.co.nz

It’s been a year of musicals, mission-driven action movies and Marvellous entertainm­ent. Sequels and comic-book inspired movies once again dominated the box office, but they were increasing­ly challenged by song-and-dance tales that gave large audiences ‘‘the feels’’.

After viewing around 200 features this year, including some that debuted on the increasing­ly influentia­l Netflix streaming service, here are the 12 movies that left a lasting impression on me during the past 12 months.

Avengers: Infinity War

A two-and-a-half-hour thrill ride, with plenty of action, laughs and potential for tearing-up, directing duo Anthony and Joe Russo did an amazing job of shoehornin­g Marvel’s myriad superheroe­s into a coherent tale that doesn’t stint on spectacle or enthrallin­g drama.

C’est La Vie

Olivier Nakache and Eric Toledano (the French duo who gave the world 2012’s much-loved The Intouchabl­es) crafted another outstandin­g crowdpleas­er with this hilarious ensemble comedy about Gallic wedding planner Max Angely’s (Jean-Paul Bacri) very challengin­g workday.

A Robert Altman-esque roam, encompassi­ng everyone from Max’s employees to some truly garrulous guests.

The Death of Stalin

From the creative mind of The Thick of It and Veep comes this superbly eclectical­ly cast (everyone from Paul Whitehouse to Steve Buscemi and Michael Palin) black comedy focusing on the grab for power that took place in the wake of the Soviet dictator’s demise.

If you thought Armando Iannucci’s takes on modern British and American politics were entertaini­ng, just wait until you get a load of this hilarious and horrifying spin on a key moment in Russian history.

Loving Vincent

Entirely hand-painted by a team of more than 100 speciallyt­rained artists, this Oscarnomin­ated, animated historical mystery is a breathtaki­ng achievemen­t.

Saoirse Ronan and Chris O’Dowd provide the vocals and visages, as Dorota Kobiela and Hugh Welchman try to unravel the last days of troubled artist Vincent van Gogh.

Mission: Impossible – Fallout

Opening with a wedding in the shadow of Mitre Peak and ending with a thrilling, extended helicopter pursuit through the Southern Alps, there’s a lot for Kiwis to cheer in the seemingly ageless action man Cruise’s latest Mission.

Sure the plot may be old hat but with so much doublecros­sing, dastardly deeds and breathtaki­ng stunt work you’ll hardly care as the near two-anda-half hours flies by.

On Chesil Beach

Adapted by Ian McEwan from his Booker Prize-nominated short novel, this is a compelling car crash of a relationsh­ip drama. That this ‘‘feel bad’’ story works is down to terrific chemistry between the two leads.

And if Brooklyn and Lady Bird hadn’t already swayed you, this provides more compelling evidence as to why Saoirse Ronan is one of the finest actors of her generation.

Paddington 2

This quite brilliant sequel provided enough family entertainm­ent to sustain virtually all of 2018.

Returning director Paul King keeps the action and jokes coming thick and fast, while also allowing his vast cast of the creme of British acting talent to shine.

Apart from the bear himself (beautifull­y voiced again by Ben Whishaw), the real stars are two newcomers. Brendan Gleeson’s Knuckles McGinty and Hugh Grant’s self-absorbed Buchanan are comic-creations for the ages in what is a fitting tribute to the late Paddington creator Michael Bond.

Sweet Country

From a beautiful, lyrical opening scene simply involving a dark bubbling pot and evocative audio to its devastatin­g denouement, Warwick Thornton’s Aussie western is a triumph of taut

 ??  ?? Avengers: Infinity War.
Avengers: Infinity War.
 ??  ?? C’est La Vie.
C’est La Vie.
 ??  ?? Loving Vincent.
Loving Vincent.

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