The Press

Poise and power noted

National Youth Orchestra Summer Concert, Isaac Theatre Royal, February 2

- – Christophe­r Moore

The challengin­g selection process lay behind them, the long hours of practice had ended and the audience was taking its seats in the Isaac Theatre Royal. This was the 2018 New Zealand Symphony Orchestra National Youth Orchestra’s (NYO) moment of truth when all the threads came together for the class of 2018.

You’d have excused some feelings of nervousnes­s, but it showed none as they launched into a programme of Beethoven, Elgar and Dvorak with poise and power.

The concert was dominated by an engaging personalit­y and enthusiasm. Conducted by Australian Guy Noble, the programme, ranging from Beethoven’s Leonore Overture No.3 to Dvorak’s melodic but musically freewheeli­ng Eighth Symphony, was stamped with youthful insoucianc­e.

Even that old warhorse of the Leonore Overture became distinctly frisky, while the orchestra’s performanc­e of the Dvorak’s Eighth Symphony injected the work’s melodic richness and sudden mood changes with character and affection. Together they didn’t simply ‘‘play’’ the work in the detached, ever-so-slightly-bored manner orchestral musicians sometimes display. These young people were obviously savouring each note and passage.

The concert’s highlight was unquestion­ably Elgar’s Cello

Concerto, with the 18-year-old New Zealand cellist Matthias Balzat. Elgar’s autumnal elegy to a world lost in the mud and blood of the Western Front challenges soloist and orchestra not to slide into either musical melodrama or bathos. Balzat and the NYO met the challenge head on, balancing musiciansh­ip with feeling to provide something deeply satisfying.

Balzat played with highly focused sensitivit­y, producing glowing textures and an almost luminous intensity. The audience’s response at the final note was one every musician hopes for – a reflective silence followed by loud applause. His response came with a near perfect solo performanc­e of a movement from a Bach cello suite.

There’s only one word to describe the evening. Exhilarati­ng.

 ??  ?? Matthias Balzat played with highly focused sensitivit­y.
Matthias Balzat played with highly focused sensitivit­y.

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