The Press

Antarctica gets first M¯aori carvings

- Laine Moger

Two Ma¯ ori carvers have installed traditiona­l carvings at Scott Base, Antarctica, as part of a programme incorporat­ing Ma¯ ori knowledge into scientific research.

Each carving, about two metres tall, was installed around the inside of the door to the New Zealand headquarte­rs in Antarctica.

Carvers Poutama Hetaraka, of Wha¯ ngarei, and James York, of Colac Bay, Southland, flew on Waitangi Day to install the final design.

The carvings offer a

Ma¯ tauranga Ma¯ ori – Ma¯ ori knowledge – perspectiv­e to Niwa’s scientific monitoring research being conducted in the Ross Sea Marine Protected Area, which was establishe­d just over a year ago.

The two carvers worked closely throughout the project, despite living at almost direct opposite ends of the country.

Hetaraka was responsibl­e for the side frames of the doorway, called whakawae, which were carved at the Hihiaua Cultural Centre in Whanga¯ rei.

York carved the piece that crosses the top of the doorway, called a pare, in Southland.

Hetaraka said the carvings symbolised not just Maori knowledge but indigenous knowledge in general.

Antarctica is governed by a treaty and is shared with other countries, with lots of other indigenous people, he said.

He hoped Ma¯ tauranga Ma¯ ori would become more embedded in conversati­ons about environmen­tal management of the Earth, and Antarctica in particular. ‘‘Each and every one of us individual­s need to pay attention to and listen to our environmen­t,’’ he said.

The two carvings are the first traditiona­l Ma¯ ori carvings on the continent and were created as part of the Antarctica New Zealand Community Engagement Programme.

The carvings will be kept indoors because the environmen­t is so dry and cold, it would split the wood.

 ??  ?? James York, left, and Poutama Hetaraka flew to New Zealand’s headquarte­rs at Scott Base to install the traditiona­l carvings.
James York, left, and Poutama Hetaraka flew to New Zealand’s headquarte­rs at Scott Base to install the traditiona­l carvings.

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