The Press

Izzard’s enthrallin­g trawl through human history delights

- James Croot

Eddie Izzard’s eclectic, eccentric humour kept a large Christchur­ch crowd enthralled this week.

A reduced-capacity Horncastle Arena might have been an odd, almost eerie setting for a stand-up gig, but it seemed almost appropriat­e for the 57-year-old’s rally for humanity.

First performed (in French) on a floating stage in Paris over a year ago now, the Yemen-born transgende­r comedian’s just over 90-minute show is his response to the prevalence of doom and gloom in the world and the resurgence of ‘‘1930s politics’’. Wunderbar was the most positive globally known German word he could think of (the other options being Achtung Baby and Schadenfre­ude) to sum up his celebratio­n of our common ancestors and his mother and father.

Dressed in a leather jacket, stiletto-heeled black boots and a blue, plaid skirt (swapped during the intermissi­on for a more sombre grey number), Izzard regaled the local audience with his lime-bike-in-a-skirt experience­s around the city before launching into his unique blend of surreal intellectu­alism.

Few sacred cows were spared as this ‘‘spiritual atheist’’ set about proving that God(s) either don’t exist or are just having a laugh at our expense. Positing an alternativ­e take on world history, Izzard caused regular waves of laughter as he offered up his version of the life of Henry VIII, looked at the events of 1066 (‘‘the year Britain lost the Battle of Hastings, but won the World Cup), suggested the pillars of human society include badminton, Scrabble and obesity and theorised that we are descended from a ‘‘little marmot called Kenny’’. Each story was passionate­ly told with fulsome gesticulat­ions, featured famous quotes, included a variety of accents and were peppered with 1980s popculture references ranging from Monty Python sketches to Peter Gabriel lyrics.

Highlights for this audience member included an expose of the lies told by Frosties’ ‘‘spokesman’’ Tony the Tiger, the labelling of Jellyfish as the ‘‘Nazis of the sea’’ and how the works of JRR (John Roger Roger as Izzard called him) Tolkien might be improved. Although aware of how revered The Lord of the Rings might be in this land, Izzard wasn’t afraid to expose the flaw of chief villain Sauron being a floating eye (‘‘Throw a flannel over him and he’s toast’’), and to suggest it needed additional ‘‘cheese jokes’’.

So entertaine­d by the Victoria & Abdul star’s theologica­l and anthropolo­gical ‘‘Ed talk’’, the crowd let out a surprised and extremely audible sigh when he attempted to wrap up the show.

Fortunatel­y there was still time for a theory-of-the-universe-revealing encore and for the masses to then show their appreciati­on for a Wunderbar performanc­e.

 ??  ?? Wunderbar is Eddie Izzard’s response to the prevalence of doom and gloom in the world and the resurgence of ‘‘1930s politics’’.
Wunderbar is Eddie Izzard’s response to the prevalence of doom and gloom in the world and the resurgence of ‘‘1930s politics’’.

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