The Press

Domingo’s apology spurs new accuser

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The words ‘‘I am truly sorry’’ have not been uttered often in the #MeToo era. So when soprano Luz del Alba Rubio woke up yesterday to see an apology from opera superstar Placido Domingo, she was in shock.

‘‘I felt like we have conquered Goliath. Now we don’t have to be scared to speak out,’’ said Rubio, who stepped forward to add her voice to the women accusing the legendary tenor of sexual harassment and abuse of power.

Domingo’s statement came after the US union that represents much of the opera world said its investigat­ors found the opera star and former general director at Washington National Opera and Los Angeles Opera had behaved inappropri­ately over the course of two decades.

‘‘I have taken time over the last several months to reflect on the allegation­s that various colleagues of mine have made against me,’’ Domingo, 79, said in a statement issued in connection with the findings.

‘‘I respect that these women finally felt comfortabl­e enough to speak out, and I want them to know that I am truly sorry for the hurt that I caused them. I accept full responsibi­lity for my actions, and I have grown from this experience.’’

The words marked a stunning reversal from the opera superstar’s initial statements, tinged with disbelief at the accusation­s reported last year by The Associated Press that he sexually harassed multiple women.

‘‘I believed that all of my interactio­ns and relationsh­ips were always welcomed and consensual,’’ he said in August. In September, after more accusation­s, Domingo called the claims ‘‘riddled with inconsiste­ncies and, as with the first story, in many ways, simply incorrect’’.

The full results of the investigat­ion by the American Guild of Musical Artists investigat­ion have not been made public, but people familiar with the findings told the AP that investigat­ors found 27 people who said they were sexually harassed or witnessed inappropri­ate behaviour by Domingo.

As with the accusation­s made to the AP, the investigat­ion found that the allegation­s included unsolicite­d physical touching that ranged from kisses on the mouth to groping, late-night phone calls in which Domingo asked women to come to his residence, and inviting women to go out with him socially with such persistenc­e that some felt they were being stalked, the people familiar with the findings said.

The investigat­ion, conducted by lawyers, found the accusation­s to be credible and showed a clear pattern of abuse of power by Domingo that spanned the 1990s and 2000s, according to the people familiar with its contents who spoke anonymousl­y because they were not authorised to publicly disclose the findings.

Rubio said Domingo’s apology was deeply appreciate­d, but also called it clearly the work of lawyers and lacking in conviction.

‘‘Before, he was a denier. Then, he was a victim. Now, he is looking for redemption,’’ said Rubio, a soprano from Uruguay. ‘‘If he means it, if he is really sorry, I would ask him to apologise to us, face to face. There have been women suffering for 20 years. He should ask for our forgivenes­s.’’

Rubio said she was in her 20s and singing in Rome in 1999 when Domingo heard her and asked her to come to Washington National Opera, where he was artistic director.

She was excited to land roles in three operas, but said Domingo began calling her constantly, often late at night, and was uncomforta­bly affectiona­te, constantly kissing her too close to her lips and touching her. But he was her childhood idol and the industry’s power broker, so when he invited her to his apartment one night to review a video of her singing, she accepted. He began kissing her, she said, and she pushed him away, telling him, ‘‘Maestro, I cannot do this. I am not that kind of person.’’ After that, she said she was never again hired to work at Washington National Opera and roles he had promised her never materialis­ed.

Singers Patricia Wulf and Angela Turner Wilson, two of Domingo’s accusers, expressed mixed emotions about Domingo’s new statement.

‘‘I sincerely appreciate his apology. I really do,’’ said Wulf, a mezzo-soprano. But she also called on AGMA to stand with his accusers and expel Domingo from its membership.

In a joint statement, Wulf and Wilson said, ‘‘An expulsion from the union would signal that the industry is learning from its mistakes and that sexual harassment and abuse – perpetrate­d by industry complicity – will not be tolerated in the future.’’

Wulf noted that coming a day after the conviction of Harvey Weinstein, Domingo’s apology and admission highlighte­d the gradations of harassment that can exist in the workplace – particular­ly in the entertainm­ent industry.

In a brief statement, the union said the inquiry found Domingo ‘‘engaged in inappropri­ate activity, ranging from flirtation to sexual advances, in and outside of the workplace.’’ Asked for additional details, spokeswoma­n Alicia Cook said AGMA did not plan to release the report. – AP

 ?? AP ?? Placido Domingo listens to applause at the end of a concert in Szeged, Hungary, in August, last year. The Spanish superstar has issued a statement apologisin­g for his inappropri­ate behaviour towards female colleagues.
AP Placido Domingo listens to applause at the end of a concert in Szeged, Hungary, in August, last year. The Spanish superstar has issued a statement apologisin­g for his inappropri­ate behaviour towards female colleagues.
 ??  ?? ‘‘If he means it, if he is really sorry, I would ask him to apologise to us, face to face. There have been women suffering for 20 years. He should ask for our forgivenes­s,’’ Luz del Alba Rubio.
‘‘If he means it, if he is really sorry, I would ask him to apologise to us, face to face. There have been women suffering for 20 years. He should ask for our forgivenes­s,’’ Luz del Alba Rubio.

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