The Press

Schools a stage for the Bard

- Lee Kenny lee.kenny@stuff.co.nz

Whether you realise it or not, you’ve probably quoted William Shakespear­e this week.

You may have complained that you haven’t slept a wink, been sent on a wild goose chase, complained about an item vanishing into thin air, or had to be cruel to be kind – all of these phrases (and many more) have their origins in his plays.

After reports suggesting Shakespear­e is no longer taught in some New Zealand schools, it appears the Bard remains a mustread for many Kiwi students.

Tania Hawes, head of English at Christchur­ch’s Riccarton High School and chair of Canterbury English Teachers’ Associatio­n, said although Shakespear­e’s plays were no longer a compulsory requiremen­t, they were still widely studied.

‘‘It’s taught slightly differentl­y to what it once was – we tend to look at context and perspectiv­e far more than just dealing with it as a tale. That’s how we bring it alive for our students.’’

Hawes is a passionate supporter of Shakespear­e and her classroom is adorned with his quotes and posters of his plays.

It would ‘‘theoretica­lly’’ be possible for a student to complete their secondary education without reading any Shakespear­e, she said, as teachers selected books or plays depending on the class.

‘‘The teachers choose text that they believe their students will respond best to.’’

At Christchur­ch’s Hornby High School, students have studied A Midsummer Night’s Dream, Macbeth, The Merchant of Venice and Twelfth Night.

Principal Robin Sutton said most were read in full ‘‘for the beauty of the language’’ or ‘‘in a modern idiom’’.

‘‘To suggest Shakespear­e has died in New Zealand is patently false, we are proof that it’s alive and well,’’ he said.

Hornby students recently performed a 15-minute excerpt from A Midsummer Night’s Dream as part of the Shakespear­e Globe Centre New Zealand (SGCNZ)/University of Otago Sheilah Winn Shakespear­e Competitio­n.

SGCNZ was founded 30 years ago and more than 120,000 high school students have participat­ed, performing scenes from any of The Bard’s canon, including his poems and sonnets.

Dawn Sanders, chief executive of SGCNZ, said it used to be compulsory for schools to teach a whole Shakespear­e play, but the quality of teaching could differ.

‘‘If the teacher didn’t understand, didn’t care or didn’t like Shakespear­e, then it was taught badly and people had a really bad experience with it and it turned them off for life.’’

Despite being written more than four centuries ago, Shakespear­e’s plays remained relevant today, said Sanders, who has seen a depiction of Richard III that explored the power struggle between Apple and Google and a performanc­e of Julius Caesar that was an allegory of Donald Trump’s presidency.

‘‘They are all about human nature,’’ she said.

‘‘Shakespear­e wrote about personal relationsh­ips, religions, families, leadership battles, so many different things.’’

Associate professor Shef Rogers, who teaches at University of Otago’s department of English and linguistic­s, said Shakespear­e remained ‘‘our richest source in English of insights about human nature’’.

Jodine Hardwicke, head of English at Linwood College in east Christchur­ch, said Shakespear­e was taught in drama, at a range of levels.

‘‘When choosing texts, we take into considerat­ion an array of different things: What do we think our a¯ konga will connect with? What will challenge the way they think about the world? What voices are being privileged and silenced in the texts?’’

Jenny May, an assistant head of English at Christchur­ch’s St Margaret’s College, said Shakespear­ean texts were taught throughout its English and drama programmes.

‘‘In Year 10 all students are given a ‘Shakespear­ean Taster’, where they study key extracts from Romeo and Juliet and A Midsummer Night’s Dream and get a feel for his language, themes, and characters,’’ she said.

‘‘I’m a passionate teacher of Shakespear­e and believe that his texts continue to speak into universal issues, from gender politics to manipulati­on of power.’’

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